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[US Promotion] I would like to celebrate Thanksgiving by gifting you all books!

UPDATE: More books added by siffis and West1234567890 further down
If are late coming across this post then do not worry you can still message me your email for a book.
To celebrate my day off today and Thanksgiving tomorrow I would like to gift my audiobooks.
In order to recieve a free audiobook gift just message me any title (below) along with your email address. If you have not recieved a gift before then you will get the audiobook for free. More details here and here. I am in the US market (but I hear from Canada and UK that it still works).
Books crossed out are not available.
TITLE - AUTHOR (Ordered by author)

siffis has generously offered to include his collection. If you like any of the books below then message directly.

West1234567890 [Also added additional books below](https://www.reddit.com/audible/comments/k0s76n/us_promotion_i_would_like_to_celebrate/gdlwylu?utm_source=share&utm_medium=web2x&context=3).
submitted by BooksAreBelongToUs to audible [link] [comments]

Il mio viaggio nella storia del cinema: dal 1960 al 1964

Sono quasi al termine della mia carrellata nella storia del cinema, perché attualmente mi sto godendo la visione dei film del 1969, nice, e ne avrò certo per 2 mesi. Quindi col prossimo post mi metto in pari, ma intanto ecco qualche spunto per questi 5 bellissimi anni di cinema che sono la prima metà degli anni '60.
1960
Di quest’anno ho visto 275 titoli e ho dato almeno un 8 a 47 film, è un grande anno di cinema ma ne segnalo giusto 5, e tutti italiani! E per complicarmi la vita non parlo né della Dolce Vita, né dell’Avventura, né di Sordi e nemmeno della Ciociara. Mi sono piaciuti? Certo che sì, perché a qualcuno no?
Era notte a Roma” di Rossellini mi piace tantissimo. Intanto è il mio film preferito con Giovanna Ralli, che prima della Ferilli c’era lei, e poi c’è Leo Genn (Petronio di Quo Vadis?), il mio beniamino Renato Salvatori e in un ruolo commovente il russo Sergey Bondarchuk, il quale tra l’altro nel 1959 aveva diretto e interpretato l’intenso e ottimo “Il destino di un uomo”. Torniamo alla Ralli che in piena WWII vive in una casa all’ultimo piano di un palazzo ed escogita gli espedienti del caso per portare a casa un po’ di zucchero, del vino o della pasta. Siccome è sveglia, i partigiani la scelgono per ospitare in gran segreto tre soldati alleati su in soffitta. La Ralli si ribella ma alla fine fa il suo dovere, e i 3 sono al sicuro. Per accedere al soffitto c’è un passaggio segreto dietro l’armadio (Anna Frank mi viene in mente), e i 3 diventano amici tra loro e amici suoi. Ora però il problema è che siamo in guerra e che è un film di Rossellini, non di Walt Disney. Quindi tenetevi pronti.
Adua e le compagne” invece è un gran cast al femminile capitanato da Simone Signoret con il buon supporto di Emmanuelle Riva e Sandra Milo. Molto prima di “Ciro! Ciro!” la Milo era attrice di culto degli anni ’60, e non solo in mano a Fellini. In quest’anno per esempio è accanto a Lino Ventura in “Asfalto che scotta”, per dire. Certo è la Milo, la voce è quella, la figura è quella, la verve anche. Qui hanno da poco chiuso le case chiuse e sfrattato le Signorine che le popolavano. Signoret decide quindi di mettersi in affari e avviare una trattoria in un casolare di periferia insieme alle amiche. Faranno a turno in cucina e ai tavoli, e magari se qualche cliente vuole qualche massaggio, perché no? L’idea funziona e la trattoria va bene, ma le amiche cominciano a voler cambiare vita, o si rendono conto che in realtà non possono. Ci sono quindi 4 reazioni diverse causate dagli eventi che si susseguono. È un film in cui si sorride e che ti dà un po’ di malinconia, ma si sente l’odore di frittata, di cipolla, di basilico.
Dolci inganni” di Lattuada è il primo film che ho visto con Catherine Spaak. Per me la Spaak era una presentatrice tv. Da ragazzo guardavo Harem, o anche Forum quando lo presentava lei. Sì, sapevo che aveva recitato, ma non ci avevo mai fatto caso veramente, mi aspettavo un paio di film senza pretese. Invece, anno dopo anno nel mio percorso cronologico mi accorgo che nella prima metà degli anni ’60 la Spaak aveva i ruoli migliori, era bellissima, brava e tra le attrici più famose. È stata una rivelazione per me. Teniamo presente che la Spaak aveva nel 1960 solo 15 anni. Era bravissima! Per l’età che aveva spesso aveva parti alla Lolita. Qui ad esempio è attratta da un amico di famiglia che ha quasi 40 anni. La Spaak era seducente, fresca, intrigante. Gran sorriso. Questo film e anche altri successivi mi sono parsi modernissimi: la settimana prima vedi le attrici americane con le gonne a campana e il filo di perle del dado Knorr, la settimana dopo c’è la Spaak che flirta con un architetto. Magnifica.
La maschera del demonio” è uno dei film del filone italiano horror. Quando leggo horror penso al sangue e alla motosega elettrica, quindi non faccio una faccia contenta, mi stufo. Però a fine anni ’50 si attiva questo piccolo genere in cui emergono mostri e vampiri che in breve si afferma e crea uno stile invidiato ovunque. Sì, qui una donna viene uccisa con una maschera piena di chiodi acuminati, ma non devi metterti le mani davanti agli occhi perché fa troppo impressione. C’è il giusto bilanciamento tra suspence, storia, effetti speciali e ridicolaggine. Non sono film di livello A+ però sono veramente tipici di quest’epoca, ti fanno capire meglio di altri il gusto di chi andava al cinema in questi anni e per questo per me sono interessanti.
Rocco e i suoi fratelli” è un film che voglio rivedere, ma non so quando sarò pronto per rivederlo. Quest’impressione me la fanno pochi film, quelli che mi colpiscono così in profondità che devo prepararmi psicologicamente alla visione successiva, e anzi devo prima capire se voglio affrontarla. Schindler’s list, Se7en, Casino e Full Metal Jacket sono altri film che mi hanno fatto lo stesso effetto. Dunque qui abbiamo una famiglia di emigrati che va a vivere in un seminterrato a Milano. Sono tanti in poco spazio e si arrangiano. La matriarca è l’ottima Katina Paxinou che capisce e gestisce con pochi sguardi. I figli sono Rocco e i suoi fratelli. C’è qualcosa di buono in questi ragazzi, ma c’è anche la vita in agguato. Le strade che prendono sono forse prevedibili se vogliamo, ma questo le rende anche più tragiche. Una donna entra nella vita dei fratelli Alain Delon e Renato Salvatori. Ora, c’è una scena in cui Alain Delon è disteso sul letto, un po’ sbilenco, con lo sguardo rivolto verso la telecamera, e quella scena è indelebile nella mia memoria, è come se Visconti mi sussurrasse all’orecchio quello che vuole dire. Ma ovviamente il dramma che si consuma tra Salvatori e Girardot è ovviamente il cuore del film ed è la scena che non voglio mai più vedere, perché nel farlo perderebbe forse la carica di sorpresa, sgomento, emozione che mi ha trasmesso la prima volta e ci resterei male, o peggio ancora mi renderebbe ancora più sorpreso, sgomento ed emozionato della prima volta, e ci resterei secco.
1961
Di quest’anno ho visto 250 titoli, e 45 hanno preso almeno 8. Compresso tra due anni fantastici, il 1960 e il 1962, qui mi esalto meno, ma ci sta.
Madre Giovanna degli angeli” di Jerzy Kawalerowicz è uno di quei film che ti fa sentire figo e intellettuale già solo a pronunciare il nome del regista, ma il punto è che mentre scrivo queste righe ho in mente la scena della suora posseduta dal demonio che spalle al muro fronteggia il giovane sacerdote inviato nel convento a indagare, e capisco che quest’immagine così potente è scena da grandi film. Tutto il film è inquietante e malato, intanto sembra più vecchio di quello che è, pare realizzato negli anni ’40, il che secondo me aggiunge disagio alla visione. Però negli anni ’40 alcune scene sarebbero state solo abbozzate e il film avrebbe avuto un diverso impatto. Il prete scoprirà come mai il demonio ha preso possesso del convento?
L’anno scorso a Marienbad” di Alain Resnais è un film che non ci ho capito niente. Lo confesso. Tuttavia, mentre lo guardavo con estrema perplessità ne restavo ugualmente affascinato. Come un bimbo che è schifato da uno scarafaggio spiaccicato sul pavimento e però vuole vederlo ancora più da vicino, più passavano i minuti e più cercavo di capire dove voleva andare a parare Resnais, più mi arrendevo e mi lasciavo ipnotizzare. Alla fine non mi interessa se non ci ho capito niente, so solo che per un’ora e mezza sono stato preso e portato in un altro posto e ho visto qualcosa che non avevo mai visto prima. Per cui, mi è piaciuto.
La primavera romana della signora Stone” di José Quintero invece è un bel melodramma. C’è una signora che fa un viaggio a Roma e si imbatte in un giovane gigolò. Tutto qua ma attenzione: lei è Vivien Leigh e lui Warren Beatty. La Leigh aveva 50 anni mentre Beatty 25. Lei era una rosa conservata tra le pagine di un vecchio diario, lui è il rumore dell’acqua del mare sugli scogli; nello sguardo di lei ci sono tante risposte, quello di lui ti fa fare mille domande. Bellissima e tormentata la Leigh nel suo penultimo ruolo, bellissimo e spavaldo Beatty nel suo secondo ruolo: combinazione da non perdere.
I peplum andavano tanto a inizio anni ’60. Cinecittà era invasa da sandali, toghe, Circi e Meduse. L’epoca d’oro di questo genere è quella che va dal 1958 al 1963 circa. Per ogni Marvel di oggi c’erano 2 Ursus all’epoca. Sansone, Argonauti, Macisti contro Zorro e assurdità del genere. Grandi massi di polistirolo, matrone romane coi capelli stile Jackie Kennedy, ave Cesari e muscoli luccicanti, la gente adorava i peplum. Tante erano le star di questo genere che però non riuscirono a farsi un nome al di fuori. Tutto finì probabilmente con 2 film e cioè la Caduta dell’impero Romano, che fu un fiasco, e Cleopatra, che mandò il genere in burnout e dopo nessuno ne voleva più sentire parlare.
I musicarelli, a loro volta, erano un genere tipico degli anni ’60, In realtà si estendono più o meno dal 1958 al 1972, ma trovano l’apice coi vari Gianni Morandi, Rita Pavone, Caterina Caselli e Little Tony, quindi verso il 1964-67. Bisogna considerare che da Modugno in avanti i canzonettisti dei primi anni ’50 erano già surclassati. Andavano ora gli urlatori. Nasce una generazione di artisti fortunatissima, che in gran parte ancora oggi ha largo seguito, basti pensare a Mina, Vanoni, Celentano, che si affacciano volentieri al cinema di quegli anni. I musicarelli si somigliano: ci sono giovani protagonisti il cui amore è osteggiato dalle famiglie o giovani di talento che cercano di farsi strada nel mondo della canzone. Questi sono i temi. I primi musicarelli sono sequenze di canzoni intercalati da qualche scena con Nino Taranto onnipresente, i successivi sono un po’ più maturi e le canzoni sono più integrate con le storie. Per esempio quelli con Morandi sono così. Verso la fine degli anni ’60 c’era già invece un cambiamento nel gusto sia musicale sia proprio culturale, e si vede che il genere sta per arrivare al capolinea.
1962
Quanto mi piace quest’anno di cinema! Forse è il mio preferito di sempre? Ne ho visti 254 di titoli e ho dato almeno 8 a ben 81 titoli. Secondo me è perché non mi aspettavo che mi piacesse così tanto, provo a spiegare. Quando ero ragazzino io i protagonisti del cinema italiano di questi anni mi sembravano così vecchi e antiquati, che a prescindere io non li amavo e mi rifiutavo di vedere questi film. Sapete come succede coi ragazzi, per loro una moda di 3 mesi fa è archeologia. Quindi quando in tv uscivano Manfredi, Tognazzi, Gassman, Sordi, Mastroianni & co, sbruffavo e dicevo uff che palle e me ne andavo a giocare al Commodore64. Questa è la mia epoca. Ora, trascorsi 40 anni, fedele al mio proposito di guardare di tutto senza preconcetti e con gli occhi di chi vede per la prima volta questi film, resto sorpreso: siamo in un’epoca d’oro del cinema italiano e non solo: le città, le auto, gli abiti, i modi di dire, i gesti degli attori di tutti gli anni ‘60, mi riportano flash dei miei genitori, dei miei nonni, delle persone che vivevano negli anni prima che nascessi io. È come assaporare momenti di una vita che non hai potuto vivere, è bello! Queste cose di cui sto blaterando hanno senso solo a livello personale, certo, d’altra parte questa rassegna “è personale” e non ha la pretesa di indicare quanto oggettivamente di meglio sia uscito in questi anni. Tenuto a mente ciò ecco 5 titoli, giusto per non fare impazzire la scrollbar di chi legge. E lo so che non ho messo Sorpasso, Baby Jane, Antonioni, Kubrick, Frankenheimer e Gregory Peck.
L’angelo sterminatore” di Bunuel è sorprendente. Questo regista aveva iniziato molto tempo prima, 33 anni, col corto d’avanguardia “Un cane andaluso”, quello della lametta negli occhi per intenderci. La sua fase surrealista è importante però mi intriga meno. Dopo un lungo periodo di titoli passati in secondo piano, negli anni ’50 comincia a girare film tra virgolette più classici. Il Bunuel degli anni ’60 per me è a livelli eccezionali. Nell’angelo sterminatore c’è un ritrovo con molte persone che bevono e conversano e flirtano e si disprezzano a vicenda. Ogni volta che qualcuno prova a andar via cambia idea, o viene bloccato, o succede qualcosa di strano per cui non riesce. All’inizio nessuno ci fa caso, ma col passare delle ore inizia a montare l’ansia perché è chiaro che sono tutti intrappolati, come in una sorta di incantesimo. Man mano scarseggia il cibo, l’acqua, e la volontà cede: non riescono ad andar via, sono in gabbia, intrappolati. Il titolo, e il motivo per cui questo succede ognuno lo deve capire da solo.
Anna dei miracoli” non ha niente a che vedere con le aureole ma è la storia molto commovente di una ragazza con gravi disabilità e della sua maestra, che sono Patty Duke e Anne Bancroft. Mentre per tutti la ragazza non è che un caso umano da trattare praticamente solo col pietismo, per la Bancroft è un essere umano capace di comprendere e apprendere, che va educato e a cui bisogna dare delle regole per il suo bene. La sfida che ha davanti la Bancroft è tremenda, perché per ottenere pochissimi risultati ci vogliono settimane di lotte. Il film è una grande prova di attrici, entrambe spettacolari. C’è una lunghissima sequenza nella sala da pranzo, quando Patty Duke si rifiuta di mangiare in ordine e la Bancroft si ostina a insegnarle come fare, che ti lascia senza fiato.
L’uomo senza passato” è un film di un regista francese, Bourguignon, con un protagonista tedesco e cioé Hardy Krueger, e una ragazzina talentuosissima, Patricia Gozzi. Hardy è un veterano, che soffre di amnesia in seguito agli choc subiti in guerra, e vive una vita solitaria e malinconica. Un giorno incontra una ragazzina con la quale stringe un rapporto di amicizia. Lei è sola e ha bisogno di una figura paterna, lui è solo e ha bisogno di sentirsi utile e di voler bene a qualcuno. C’è tanta tenerezza in questo film, e malinconia. Per quanto solo a leggere di un’amicizia tra un veterano e una ragazzina molti subito possono pensare a risvolti poco piacevoli, qui non è mai in discussione l’eventualità che possa succedere qualcosa di male alla ragazzina. Kruger è un gran attore che rifiutò anche una nomination ai Golden Globe ai suoi tempi. La Gozzi a mio parere è tra le migliori baby star di sempre. Al suo attivo solo 6 film nei quali però è sempre formidabile.
L’odio esplode a Dallas” è un film di Roger Corman con William Shatner prima che finisse sull’Enterprise. Shatner non è mai stato uno di quei attori per cui ci si strappa i capelli, ma è bello vederlo in un ruolo diverso da quello a cui siamo abituati. Questo film è bello perché ti sorprende, siamo dopo tutto in piena fase di integrazione razziale, che nonostante Rosa Parks o MLK era ben lungi dal verificarsi compiutamente. Questo film ti mostra un lato del razzismo violento e intenso con gli occhi dell’epoca, senza voler fare troppe morali o senza intenti puramente educativi. Qui c’è l’odio razziale, le croci che bruciano, le scuole per soli bianchi, l’incitazione alla violenza. È un film avanti per i suoi tempi.
Il lungo viaggio verso la notte” è un’opera teatrale trasportata al cinema per la gioia di Katharine Hepburn che così poteva avere per le mani pane per i suoi denti. I personaggi sono solo 4, una famiglia che si ritrova e che si rinfaccia le cose, si racconta le cose, si scopre, si allontana e si riavvicina. È uno di quei drammoni familiari in cui quando un personaggio dice qualcosa per ferire gli altri, ti tiri i piedi dall’imbarazzo. Si segue naturalmente volentieri perché i 4 attori sono tutti di primo livello. Oltre alla Hepburn c’è il veterano Ralph Richardson, c’è Jason Robards e c’è Dean Stockwell che era una baby star a fine anni ’40 e che è riuscito ad avere una lunghissima carriera. Nei primi anni ’60 Stockwell sembra quasi il fratello minore di James Dean. Pare che sul set facesse freddissimo per cui Stockwell si aiutava con l’alcool, al che la Hepburn era indignata, ma quando lo venne a sapere gli regalò una coperta.
1963
Sono ben 289 i titoli che ho visto, con 57 a cui ho dato almeno 8. I miei preferiti in assoluto sono 8 e mezzo e gli Uccelli di Hitchcock, ma scrivo 2 righe su altro.
Blow job” di Andy Warhol è una specie di documentario in cui vediamo il volto di un ragazzo e le espressioni che fa mentre fa sesso. I film di Andy Warhol per me sono veramente dei relitti di altri tempi. Certo negli anni ’60 Warhol era uno degli artisti di prima categoria, ma se parliamo dei suoi film e dei suoi documentari, non dei dipinti allora scusate un attimo. Ne ho visti un sacco e sinceramente non me ne importa niente se faccio la figura di chi non ha gusto o e non ne capisce, ma li trovo orribili, una lotta testa a testa con quelli di John Lennon e Yoko Ono, se è per questo. Mi volevo togliere lo sfizio di dirlo.
Il servo” di Losey, invece qui si ragiona, c’è Dirk Bogarde che entra a servizio nella casa di una coppia che ha i suoi alti e bassi. “Sì signore, certo signore, come desidera signore”. Col tempo, studiata bene la situazione e i caratteri dei padroni le cose cominciano a cambiare. “Se proprio crede signore, come meglio crede signore, appena riesco signore”. Più la coppia scoppia più Bogarde inizia ad avere la meglio nel suo braccio di ferro psicologico col padrone e i ruoli fatalmente si invertono. Bogarde si mette bello comodo in poltrona, e che sia il padrone a mettergli le pantofole, adesso. Questo personaggio è rimasto come forse il più memorabile dell’attore inglese prima della fase Visconti.
La ballata del boia” di Berlanga è il film che mi ha fatto dire “ok mi piace Nino Manfredi”. Per me fino a qualche anno fa era solo Mastro Geppetto, non è colpa mia. Invece negli anni ’60 Manfredi incarna l’uomo medio italiano meglio di chiunque altro. Tognazzi era uomo virile e dai grandi appetiti, Gassman era esuberante e pieno di cazzimma, Mastroianni era sensuale e fatalista, invece i ruoli di Manfredi erano quelli di persone che subiscono gli eventi, che subiscono il rapporto di coppia, che devono ingegnarsi per venire a capo delle cose. Era possibile immedesimarsi in Manfredi. In più era dotato di grande talento comico, anche nei ruoli tragici bastavano due espressioni per farti sorridere anche quando gli capitava di tutto, come in questo caso, in cui sposa una giovane il cui padre è un boia e per tradizione tocca al figlio ereditare il mestiere del genitore, quindi da un giorno all’altro Manfredi ora deve svolgere le esecuzioni dei detenuti, anche se non ha il pelo sullo stomaco. Divertente.
I gigli del campo” è uno dei tanti film degli anni ’60 con Sidney Poitier che si afferma come icona culturale assoluta. Questa storia semplice vede Poitier giungere per caso nei pressi di un piccolo convento. La madre superiora convince Poitier a lavorare per loro, hanno intenzione di ristrutturare un po’, ma Poitier aveva ben altri programmi. Alla superiora non interessa un bel niente dei programmi di Poitier perché se è lì, vuol dire che Dio l’ha voluto lì. Ne vengono fuori tanti dialoghi divertenti, Poitier fa la sua espressione come per dire “che pazienza che ci vuole con questa”, la superiora Lilia Skala è bravissima e in tutto ciò Poitier si affeziona alle suore e trova anche il suo scopo nella vita.
Nella prima metà degli anni ’60 la tv era ormai nelle case di tutti gli italiani, i quali amavano gli sceneggiati, Canzonissima, Mike Bongiorno e il telegiornale. Abbondano i documentari che mostrano i vari aspetti dell’Italia del boom, un Italia ancora molto eterogenea ma per questo tanto interessante da raccontare. Si possono trovare in giro tanti documentari come “Fazzoletti di terra” in cui due contadini si costruiscono le loro terrazze per coltivare sollevando una a una delle grosse pietre a mano. Una vita passata a spezzarsi la schiena. Poi ci sono le interviste sui temi d’attualità ad esempio “In Italia si chiama amore”, e i docu geografici che mostrano le costruzioni di dighe, dei tralicci per la corrente, di sopraelevate e autostrade, che io trovo assolutamente affascinanti. Andavano poi i cosiddetti Mondo film, che erano documentari su temi scabrosi, in genere erotismo e pornografia (tipo “Mondo di notte”, ma affrontavano anche altri temi, per esempio era scioccante “Mondo cane”. Per quanto riguarda gli sceneggiati della prima metà degli anni ’60 vanno citati almeno “La cittadella”, “Il mulino del Po” e “una tragedia americana”.
1964
Il 1964 è un altro anno strabiliante per me. Ho visto 372 titoli tra film, corti, documentari, serie tv. Ho dato 8 o più a 65 di questi. Questo è l’anno della famiglia Addams e di Vita da Strega, è quello in cui parte la serie di Angelica e va di moda Sellers, Ursula Andress, Julie Andrews, Louis de Funes e Gianni Morandi. Bette Davis e Joan Crawford si dedicano al mystery con sfumature horror e diventano famose le sorelle Dorleac: una morirà giovanissima, l’altra ancora oggi è conosciuta in tutto il mondo come Catherine Deneuve. Antonioni gira il suo primo e bellissimo film a colori, Connery è alle prese con Goldfinger prima, con la Lollo e con Hitchcock poi, e la rana in Spagna gracida in campagna. Trionfo per i primi spaghetti western e per Leone, emerge la Sandrelli mentre in declino Doris Day. Classico dei classici per Loren-Mastroianni in “Matrimonio all’Italiana”. Insomma un anno di infinite squisitezze.
Seven up!” è un’idea molto interessante: si tratta di documentare la vita di alcuni ragazzi a distanza di 7 anni. Il primo documentario esce quindi nel 1964, il secondo poi nel 1970 (14 anni), poi 1977 (21), 1984 (28), 1991 (35), 1998 (42), 2005 (49), 2012 (56) e 2019 (63 up). Con la regia di Apted, attraverso le interviste vediamo cosa è successo nelle vite di queste persone.
La caccia” di Manoel de Oliveira regista portoghese morto a 106 anni, è un corto in cui due amici decidono appunto di andare a caccia, ma senza fucili, così niente di male può succedere. Quando si dice il caso: uno finisce nelle sabbie mobili, e sta all’altro amico escogitare il modo per salvarlo.
La donna di sabbia” di Hiroshi Teshigahara è un Thriller nel quale un entomologo va a caccia di insetti in una zona desertica e finisce in una fossa nella quale c’è una capanna con una donna, che trascorre la vita a spalare sabbia, come in un supplizio di Tantalo, ogni santo giorno, per evitare di essere sepolta. L’entomologo è stato intrappolato lì affinché possa contribuire al lavoro della donna e trascorrere con lei il resto della vita. Come un insetto in trappola, l’uomo cerca in tutti i modi di scappare.
“L’uomo del banco dei pegni” è un film di Lumet con Rod Steiger, due garanzie insomma. C’è un ebreo che lavora in un banco dei pegni. Trascorre la sua vita a valutare gli oggetti che gli porta la gente, privato ormai di ogni emozione. Il suo giovane commesso non è niente per lui, i suoi clienti non sono niente per lui. Osserva gli oggetti, li stima al ribasso, ci mette l’etichetta e così passa la giornata. C’è una donna che prova a mostrargli segnali d’affetto: non è niente per lui. Quest’uomo respira, ma non è vivo. Pare che fosse uno dei ruoli preferiti da Steiger, attore dalle scelte molto coraggiose che negli anni ’60 spesso lavora con registi italiani, anche in piccole produzioni. Il film è pieno di sentimenti da scavare in profondità, che esplodono con violenza nella parte finale.
Zorba il greco” è l’amicizia improbabile tra Anthony Quinn e Alan Bates. Quinn è Zorba, che non ha paura di niente e si butta a capofitto nella vita e nelle esperienze. A lui la gente piace, ci parla, ci ride e ci beve, si fa anche i fatti degli altri ma è generoso se serve, e comunque manda avanti la sua vita. È estroverso al 100% ed è un personaggio interessante interpretato magnificamente da Anthony Quinn, attore dalla lunga carriera. Alan Bates è gentile, preciso, riservato, discreto, riflessivo. Non si lancia, chiede permesso, è un tantino represso ma è un buon amico e una brava persona. Quinn adotta Bates e gli cambia la vita. Finiscono per conoscere una donna sola che è Lila Kedrova, che vive nel passsato. Mostra le gambe, si veste coi pizzi, finge una felicità che non possiede più, si comporta da adolescente. La Kedrova cerca ancora la vita e Quinn la accontenta. Questi personaggi così diversi raccontano una storia interessante. Memorabile la morte della Kedrova, con le vecchie del paese che vanno a saccheggiare la casa. Bates è uno degli attori più sottovalutati degli anni ’60 e ’70.
Un giorno di terrore” è il titolo italiano di “Lady in a cage”, che forse è meglio, si tratta di Olivia de Havilland, che è una scrittrice che ha avuto un incidente e quindi è costretta temporaneamente alla sedia a rotelle, quindi si muove nella sua bella casa grazie a un ascensore che la porta dal piano delle camere al soggiorno e alla cucina. Il figlio va via per il fine settimana, ma represso dalla madre ha propositi suicidi, ebbene Olivia resta sola in casa. Purtroppo per lei va via la corrente quando l’ascensore è a metà, e così resta sospesa. Salire non può, scendere non può, saltare nemmeno, arrampicarsi non se ne parla. Suona l’allarme, ma nessuno sente. Non esistevano mica gli smartphone, qui si rischia di restare in ascensore molto, molto a lungo. Succede quindi che un ubriacone entra in casa e sotto gli occhi impotenti della de Havilland pensa bene di accumulare un po’ di refurtiva. Non contento, va a chiamare altri suoi amici, più delinquenti e spregevoli che mai. Capitanati da James Caan, questi teppisti metteranno a ferro e fuoco la casa della de Havilland che guarda impotente quello che accade. Bellissimo e dimenticato titolo che vale la pena riscoprire in onore della mega star di recente morta alla bella età di 104 anni.
submitted by yabluz to italy [link] [comments]

Turner Classic Movies (U.S.) Schedule for October, 2020 (All times E.S.T.)

Thu, October 1
(12:00am) Up the Down Staircase (1967/2h 4m/Drama/Robert Mulligan)
(2:15am) Our Miss Brooks (1956/1h 25m/Comedy/Al Lewis)
(4:00am) The Corn Is Green (1945/1h 54m/Drama/Irving Rapper)
(6:00am) The Girl He Left Behind (1956/1h 43m/Comedy/David Butler)
(8:00am) Lafayette Escadrille (1958/1h 33m/Romance/ William A. Wellman)
(9:45am) Dondi (1961/1h 20m/Comedy/ Albert Zugsmith)
(11:30am) The Shoes of the Fisherman (1968/2h 42m/Drama/Michael Anderson)
(2:15pm) Ring of Fire (1961/1h 30m/Drama/Andrew L. Stone)
(4:00pm) Twenty Plus Two (1961/1h 42m/Crime/Joseph M. Newman)
(5:45pm) Marooned (1969/2h 13m/Adventure/John Sturges)
(8:00pm) La Strada (1954/1h 55m/Drama/Federico Fellini)
(10:00pm) Two for the Road (1967/1h 52m/Comedy/Stanley Donen)
Fri, October 2
(12:00am) Dodsworth (1936/1h 41m/Romance/William Wyler)
(2:00am) Destry Rides Again (1939/1h 35m/Western/George Marshall)
(3:45am) Black Girl (1966/1h/Drama/Ousmane Sembene)
(5:00am) Robert Osborne's 20th Anniversary Tribute (2015/47m/Documentary/?)
(6:00am) Go West (1940/1h 21m/Comedy/Edward Buzzell)
(7:45am) The Big Store (1941/1h 20m/Comedy/Charles Riesner)
(9:30am) Double Dynamite (1951/1h 20m/Comedy/ Irving Cummings)
(11:00am) A Girl in Every Port (1952/1h 26m/Comedy/Chester Erskine)
(12:30pm) A Day at the Races (1937/1h 45m/Comedy/Sam Wood)
(2:30pm) At the Circus (1939/1h 27m/Comedy/Edward Buzzell)
(4:15pm) A Night at the Opera (1935/1h 36m/Comedy/Sam Wood)
(6:00pm) The Story of Mankind (1957/1h 40m/Drama/Irwin Allen)
(8:00pm) Dracula (1931/1h 14m/HorroTod Browning)
(9:30pm) Cat People (1942/1h 11m/HorroJacques Tourneur)
(11:00pm) House on Haunted Hill (1958/1h 15m/HorroWilliam Castle)
Sat, October 3
(12:30am) The Haunting (1963/1h 52m/Drama/Robert Wise)
(2:30am) The Queen (1968/1h 8m/Documentary/Frank Simon)
(3:45am) Wigstock: The Movie (1995/1h 25m/Documentary/Barry Shils)
(5:15am) The Relaxed Wife (1957/13m/Comedy/?)
(6:00am) Million Dollar Baby (1941/1h 40m/Comedy/Curtis Bernhardt)
(8:00am) MGM CARTOONS: The Peachy Cobbler (1950/6m/Comedy/Fred [Tex] Avery)
(8:08am) Phonies Beware! (1956/8m/Documentary/Larry O'Reilly)
(8:17am) Night Life in Chicago (1948/8m/Documentary/?)
(8:27am) Arctic Fury (1949/1h 1m/Adventure/Norman Dawn)
(9:30am) The Redskins' Revenge (1937/?/Action/?)
(10:00am) POPEYE: Baby Wants a Bottleship (1942/5m/Comedy/Dave Fleischer)
(10:08Am) Safari Drums (1953/1h 11m/Adventure/Ford Beebe)
(11:30am) Alaska Lifeboat (1956/20m/Documentary/ Herbert Morgan)
(12:00pm) The Prince and the Pauper (1937/2h/Adventure/William Keighley)
(2:15pm) Key Largo (1948/1h 41m/Crime/John Huston)
(4:15pm) The Defiant Ones (1958/1h 37m/Drama/Stanley Kramer)
(6:00pm) The Thomas Crown Affair (1968/1h 42m/Drama/Norman Jewison)
(8:00pm) Lawrence of Arabia (1962/3h 46m/Drama/David Lean)
Sun, October 4
(12:00am) Where the Sidewalk Ends (1950/1h 35m/Crime/Otto Preminger)
(2:00am) Across the Wide Missouri (1951/1h 18m/Adventure/William Wellman)
(3:30am) On an Island with You (1948/1h 47m/Comedy/Richard Thorpe)
(5:30am) Inflation (1942/17m/Drama/Cy Endfield)
(6:00am) The Last of Mrs. Cheyney (1937/1h 38m/Comedy/Richard Boleslawski)
(7:45am) Humoresque (1946/2h 3m/Drama/Jean Negulesco)
(10:00am) Where the Sidewalk Ends (1950/1h 35m/Crime/Otto Preminger)
(12:00pm) Mr. Belvedere Goes to College (1949/1h 23m/Comedy/Elliott Nugent)
(1:30pm) The Women (1939/2h 12m/Comedy/George Cukor)
(4:00pm) Bye Bye Birdie (1963/2h/Comedy/George Sidney)
(6:00pm) The Great Buster: A Celebration (2018/1h 43m/Documentary/Peter Bogdanovich)
(8:00pm) Sherlock, Jr. (1924/51m/Comedy/Buster Keaton)
(9:00pm) The General (1927/1h 23m/Comedy/Buster Keaton)
(10:30pm) Steamboat Bill, Jr. (1928/1h 10m/Comedy/Charles F. Reisner)
Mon, October 5
(12:00am) Seven Chances (1925/45m/Comedy/Buster Keaton)
(2:00am) Viridiana (1961/1h 30m/Comedy/Luis Buñuel)
(3:45am) The Exterminating Angel (1962/1h 35m/Comedy/Luis Buñuel)
(5:30am) MGM Parade Show #5 (1955/25m/Documentary/?)
(6:00am) Roberta (1935/1h 25m/Comedy/William A. Seiter)
(8:00am) Fashions of 1934 (1934/1h 18m/Drama/William Dieterle)
(9:30am) Stolen Holiday (1937/1h 20m/Romance/Michael Curtiz)
(11:00am) Designing Woman (1957/1h 58m/Comedy/Vincente Minnelli)
(1:00pm) Made in Paris (1966/1h 43m/Comedy/Boris Sagal)
(2:45pm) A Place for Lovers (1969/1h 28m/Romance/ Vittorio De Sica)
(4:30pm) Blood and Black Lace (1964/1h 25m/HorroMario Bava)
(6:00pm) Lured (1947/1h 42m/Crime/Douglas Sirk)
(8:00pm) Cash on Demand (1961/1h 24m/Drama/Quentin Lawrence)
(9:30pm) The End of the Affair (1955/1h 46m/Romance/Edward Dmytryk)
(11:30pm) Time Without Pity (1957/1h 28m/Drama/Joseph Losey)
Tue, October 6
(1:15am) John Paul Jones (1959/2h 6m/Action/John Farrow)
(3:30am) Hamlet (1948/2h 35m/Drama/Laurence Olivier)
(6:15am) A Chump at Oxford (1940/1h 3m/Comedy/Alfred Goulding)
(7:30am) Vigil in the Night (1940/1h 36m/Romance/George Stevens)
(9:15am) The Gay Bride (1934/1h 20m/Comedy/Jack Conway)
(10:45am) Swing High, Swing Low (1937/1h 37m/Comedy/Mitchell Leisen)
(12:15pm) Love Before Breakfast (1936/1h 10m/Comedy/Walter Lang)
(1:30pm) Nothing Sacred (1937/1h 15m/Comedy/William A. Wellman)
(3:00pm) Mr. and Mrs. Smith (1941/1h 29m/Comedy/Alfred Hitchcock)
(4:45pm) To Be or Not to Be (1942/1h 39m/Comedy/Ernst Lubitsch)
(6:30pm) The Golden Age of Comedy (1957/1h 19m/Comedy/Robert Youngson)
(8:00pm) Women Make Film: A New Road Movie Through Cinema 06 (2019/Documentary/Mark Cousins)
(9:15pm) The Ascent (1977/1h 45m/Drama/Larisa Sheptiko)
(11:15pm) Women Make Film: A New Road Movie Through Cinema 06 (2019/Documentary/Mark Cousins)
Wed, October 7
(12:30am) Meek's Cutoff (2010/1h 44m/Drama/Kelly Reichardt)
(2:30am) Cameraperson (2016/1h 42m/Documentary/Kirsten Johnson)
(4:30am) Daisies (1966/1h 14m/Comedy/Vera Chytilová)
(6:00am) Meshes of the Afternoon (1944/13m/Short/Maya Deren)
(6:30am) Angry Inuk (2016/1h 25m/Documentary/Alethea Arnaquq-Baril)
(8:00am) The Erl King (1931/1h 10m/Drama/Marie-Louise Iribe)
(9:15am) The Journey (1959/2h 3m/Romance/Anatole Litvak)
(11:30am) The Squall (1929/1h 42m/Drama/Alexander Korda)
(1:30pm) Beautiful Budapest (1938/8m/Documentary?)
(1:45pm) Rural Hungary (1939/9m/Documentary/James A. Fitzpatrick)
(2:00pm) Fight for Your Lady (1938/1h 6m/Comedy/Ben Stoloff)
(3:15pm) Storm at Daybreak (1933/1h 18m/Drama/Richard Boleslavsky)
(4:45pm) The Shop Around the Corner (1940/1h 37m/Comedy/Ernst Lubitsch)
(6:30pm) One Heavenly Night (1930/1h 20m/Musical/Geo. Fitzmaurice)
(8:00pm) No Time for Sergeants (1958/1h 59m/Comedy/Mervyn Leroy)
(10:15pm) A Face in the Crowd (1957/2h 6m/Drama/Elia Kazan)
Thu, October 8
(12:30am) Hearts of the West (1975/1h 43m/Comedy/ Howard Zieff)
(2:30am) Onionhead (1958/1h 50m/Comedy/Norman Taurog)
(4:30am) Thunder Afloat (1939/1h 35m/Comedy/George B. Seitz)
(6:15am) The Public Enemy (1931/1h 14m/Drama/William A. Wellman )
(8:15am) Red-Headed Woman (1932/1h 14m/Comedy/Jack Conway)
(9:45am) Dinner at Eight (1933/1h 53m/Comedy/George Cukor)
(11:45am) Saratoga (1937/1h 34m/Comedy/Jack Conway)
(1:30pm) Hold Your Man (1933/1h 29m/Romance/Sam Wood)
(3:15pm) Red Dust (1932/1h 19m/Romance/Victor Fleming)
(4:45pm) Personal Property (1937/1h 24m/Comedy/W. S. Van Dyke II)
(6:15pm) Bombshell (1933/1h 31m/Comedy/Victor Fleming)
(8:00pm) The Front Page (1931/1h 41m/Comedy/Lewis Milestone)
(10:00pm) Detour (1945/1h 8m/Drama/Edgar G. Ulmer)
(11:30pm) The Man with the Golden Arm (1956/1h 59m/Drama/Otto Preminger)
Fri, October 9
(1:45am) Love Affair (1939/1h 27m/Romance/Leo McCarey)
(3:30am) A Brighter Summer Day (1991/3h 5m/Drama/Edward Yang)
(7:00am) Alice in Movieland (1940/21m/Drama/Jean Negulesco)
(7:45am) Nora Prentiss (1947/1h 51m/Drama/Vincent Sherman)
(9:45am) Born to Kill (1947/1h 32m/Drama/Robert Wise)
(11:30am) Dark Passage (1947/1h 46m/Drama/Delmer Daves)
(1:30pm) Out of the Past (1947/1h 37m/Crime/Jacques Tourneur)
(3:15pm) Race Street (1948/1h 19m/Drama/Edwin L. Marin)
(4:45pm) Impact (1949/1h 51m/Drama/Arthur Lubin)
(6:45pm) The Woman on Pier 13 (1950/1h 13m/Drama/Robert Stevenson)
(8:00pm) The Ghoul (1933/1h 17m/HorroT. Hayes Hunter)
(9:30pm) The Black Sleep (1956/1h 21m/HorroReginald Leborg)
(11:00pm) Mark of the Vampire (1935/1h 1m/HorroTod Browning)
Sat, October 10
(12:15am) Night of the Living Dead (1968/1h 36m/HorroGeorge A. Romero)
(2:00am) White Lightning (1973/1h 41m/Drama/Joseph Sargent)
(3:45am) Gator (1976/1h 55m/Comedy/Burt Reynolds)
(5:45am) The Corvair In Action! (1960/6m/Documentary/?)
(6:00am) The Opposite Sex (1956/1h 57m/Comedy/David Miller)
(8:00am) MGM CARTOONS: Red Hot Riding Hood (1943/7m/Comedy/Fred [‘Tex’[ Avery)
(8:09am) Fortune Seekers (1956/8m/Documentary/Larry O'Reilly)
(8:18am) Historic Maryland (1941/8m/Documentary/?)
(8:27am) Men of the North (1930/1h 1m/Drama/Hal Roach)
(9:30am) The Brink of Doom (1937/?/Action/?)
(10:00am) POPEYE: Alona the Sarong Seas (1942/Comedy/Dave Fleischer)
(10:08am) Bomba In The Golden Idol (1954/1h 10m/Adventure/?)
(11:30am) King of the Islands (1935/17m/Comedy/Ralph Staub)
(12:00pm) Tarzan, the Ape Man (1932/1h 39m/Adventure/W. S. Van Dyke)
(2:00pm) Lili (1953/1h 21m/Romance/Charles Walters)
(3:30pm) Casino Royale (1967/2h 11m/Comedy/John Huston, et. al.)
(6:00pm) Top Hat (1935/1h 45m/Comedy/Mark Sandrich)
(8:00pm) Gunga Din (1939/1h 57m/Adventure/George Stevens)
(10:15pm) The Three Musketeers (1948/2h 5m/Drama/George Sidney)
Sun, October 11
(12:30am) The Racket (1951/1h 28m/Crime/John Cromwell)
(2:30am) Bananas (1971/1h 21m/Comedy/Woody Allen)
(4:00am) Hannah and Her Sisters (1986/1h 46m/Comedy/Woody Allen)
(6:00am) A Midsummer Night's Dream (1935/2h 12m/Comedy/Max Reinhardt)
(8:30am) Journey for Margaret (1942/1h 21m/Drama/Major W. S. Van Dyke II)
(10:00am) The Racket (1951/1h 28m/Crime/John Cromwell)
(12:00pm) Sounder (1972/1h 45m/Drama/Martin Ritt)
(2:00pm) The Secret Garden (1949/1h 32m/Drama/Fred M. Wilcox)
(3:45pm) The Catered Affair (1956/1h 33m/Comedy/Richard Brooks)
(5:30pm) Flower Drum Song (1961/2h 13m/Comedy/Henry Koster)
(8:00pm) The Front Page (1974/1h 45m/Comedy/Billy Wilder)
(10:00pm) The Odd Couple (1968/1h 45m/Comedy/Gene Saks)
Mon, October 12
(12:00am) Sidewalk Stories (1989/1h 37m/Comedy/Charles Lane)
(2:00am) The Firemen's Ball (1967/1h 13m/Comedy/Miloš Forman)
(3:30am) All My Good Countrymen (1968/2h 6m/Comedy/Vojtěch Jasný)
(6:00am) The Reptile (1966/1h 30m/HorroJohn Gilling)
(7:45am) The Killer Shrews (1959/1h 9m/HorroRay Kellogg)
(9:00am) King Kong (1933/1h 40m/Adventure/Merian C. Cooper and Ernest B. Shoedsack)
(11:00am) The Beast from 20,000 Fathoms (1953/1h 20m/HorroEugène Lourié)
(12:30pm) Gojira (1954/1h 19m/Drama/Ishirô Honda)
(2:00pm) Creature from the Black Lagoon (1954/1h 19m/HorroJack Arnold)
(3:30pm) Creature From the Haunted Sea (1961/1h/Comedy/Roger Corman)
(4:45pm) The Green Slime (1969/1h 30m/HorroKinji Fukasaku)
(6:30pm) Night of the Lepus (1972/1h 28m/Comedy/William F. Claxton)
(8:00pm) Sword of Sherwood Forest (1960/1h 20m/Adventure/Terence Fisher)
(9:30pm) Dr. Who and the Daleks (1965/1h 25m/Sci-Fi/Gordon Flemyng)
(11:00pm) Daleks' Invasion Earth: 2150 A. D. (1966/1h 21m/Sci-Fi/Gordon Flemyng)
Tue, October 13
(12:30am) She (1965/1h 44m/Drama/Robert Day)
(2:30am) Violent Playground (1958/1h 48m/Drama/Basil Dearden)
(4:30am) Corruption (1967/1h 31m/HorroRobert Hartford-Davis)
(6:00am) Devotion (1931/1h 10m/Drama/Robert Milton)
(7:30am) The Runaway Bus (1954/1h 18m/Comedy/Val Guest)
(9:00am) The Solitaire Man (1933/1h 7m/Comedy/Jack Conway)
(10:30am) Blind Adventure (1933/1h 5m/Crime/Ernest B. Schoedsack)
(11:45am) Double Trouble (1967/1h 30m/Romance/Norman Taurog)
(1:30pm) A Warm December (1972/1h 39m/Romance/Sidney Poitier)
(3:30pm) The V.I.P.s (1963/1h 59m/Drama/Anthony Asquith)
(5:45pm) The Prince and the Showgirl (1957/1h 57m/Comedy/Laurence Olivier)
(8:00pm) Women Make Film: A New Road Movie Through Cinema 07 (2019/Documentary/Mark Cousins)
(9:15pm) Dogfight (1991/1h 34m/Drama/Nancy Savoca)
(11:00pm) Women Make Film: A New Road Movie Through Cinema 07 (2019/Mark Cousins)
Wed, October 14
(12:15am) Rafiki (2018/1h 23m/Drama/Wanuri Kahiu)
(2:30am) First Love (1977/1h 31m/Romance/Joan Darling)
(2:00am) The House Is Black (1963/21m/Documentary/Forugh Farrokhzad)
(4:15am) The Night Porter (1974/1h 55m/Drama/Liliana Cavani)
(6:30am) Le Bonheur (1965/1h 27m/Romance/Agnes Varda)
(8:15am) Danzon (1991/1h 43m/Dance/Maria Novaro)
(10:15am) The Unholy Three (1925/1h 26m/Drama/Tod Browning)
(12:00pm) The Unknown (1927/1h 1m/Drama/Tod Browning)
(1:00pm) The Blackbird (1926/1h 26m/Comedy/Tod Browning)
(2:30pm) The Thirteenth Chair (1929/1h 12m/Crime/Tod Browning)
(4:00pm) Freaks (1932/1h 30m/HorroTod Browning)
(5:15pm) Mark of the Vampire (1935/1h 1m/HorroTod Browning)
(6:30pm) The Devil-Doll (1936/1h 19m/HorroTod Browning)
(8:00pm) Abe Lincoln in Illinois (1940/1h 50m/Biography/John Cromwell)
(10:00pm) Sunrise at Campobello (1960/2h 23m/Drama/Vincent J. Donehue)
Thu, October 15
(12:45am) PT 109 (1963/2h 20m/Drama/Leslie H. Martinson)
(3:15am) 1776 (1972/2h 21m/Comedy/Peter H. Hunt)
(6:00am) Three Men on a Horse (1936/1h 28m/Comedy/Mervyn Leroy)
(7:30am) Unholy Partners (1941/1h 34m/Drama/Mervyn Leroy)
(9:15am) Sweet Adeline (1935/1h 27m/Romance/Mervyn Le Roy)
(11:00am) Happiness Ahead (1934/1h 26m/Comedy/Mervyn Le Roy)
(12:30pm) Big City Blues (1932/1h 5m/Drama/Mervyn Leroy)
(1:45pm) The Bad Seed (1956/2h 9m/HorroMervyn Leroy)
(4:00pm) They Won't Forget (1937/1h 30m/Drama/Mervyn Leroy)
(5:45pm) Random Harvest (1942/2h 4m/Romance/Mervyn Leroy)
(8:00pm) Tunes of Glory (1960/1h 45m/Drama/Ronald Neame)
(10:00pm) The Life and Death of Colonel Blimp (1943/2h 43m/Romance/Michael Powell)
Fri, October 16
(1:00am) The Seventh Cross (1944/1h 50m/Drama/Fred Zinnemann)
(3:00am) The Diary of Anne Frank (1959/2h 50m/Drama/George Stevens)
(6:15am) Trances (1981/1h 32m/Documentary/Ahmed El Maanouni)
(8:00am) The Little Shop of Horrors (1960/1h 10m/Comedy/Roger Corman)
(9:15am) Village of the Damned (1960/1h 17m/HorroWolf Rilla)
(10:45am) The Brain That Wouldn't Die (1962/1h 21m/HorroJoseph Green)
(12:15pm) Carnival of Souls (1962/1h 20m/HorroHerk Harvey)
(1:45pm) Dementia 13 (1963/1h 21m/HorroFrancis Ford Coppola)
(3:15pm) The Raven (1963/1h 26m/Comedy/Roger Corman)
(4:45pm) Spider Baby (1964/1h 20m/HorroJack Hill)
(6:15pm) The Nanny (1965/1h 33m/Drama/Seth Holt)
(8:00pm) Dead of Night (1945/1h 44m/HorroAlberto Cavalcanti, et. al.)
(10:00pm) Twice Told Tales (1963/1h 59m/HorroSidney Salkow)
Sat, October 17
(12:15am) Black Sabbath (1963/1h 40m/HorroMario Bava)
(2:00am) Enter the Ninja (1981/1h 39m/Action/Emmett Alston)
(3:45am) Revenge Of The Ninja (1983/1h 28m/Action/Sam Firstenberg)
(5:30am) Shake Hands With Danger (1970/23m/Documentary/Charles Oldfather, John Clifford and Herk Harvey)
(6:00am) The Password Is Courage (1962/1h 56m/Comedy/Andrew L. Stone)
(8:00am) MGM CARTOONS: Sheep Wrecked (1958/6m/Comedy/?)
(8:08am) Cave Explorers (1957/8m/Documentary/Heinz Scheiderbauer)
(8:17am) The Capital City Washington, D.C. (1940/8m/Documentary/?)
(8:27am) She Loved a Fireman (1937/57m/Drama/John Farrow)
(9:30am) The Indians Are Coming (1937/Action/?)
(10:00am) POPEYE: A Hull of a Mess (1942/6m/Comedy/Dave Fleischer)
(10:08am) Lord of the Jungle (1955/1h 9m/Adventure/Ford Beebe)
(11:30am) Kissing Time (1933/21m/Romance/Roy Mack)
(12:00pm) Angel and the Badman (1947/1h 40m/Romance/James Edward Grant)
(1:45pm) Captain Horatio Hornblower (1951/1h 57m/Adventure/Raoul Walsh)
(4:00pm) Support Your Local Sheriff! (1969/1h 32m/Comedy/Burt Kennedy)
(5:45pm) Rollerball (1975/2h 9m/Action/Norman Jewison)
(8:00pm) Singin' in the Rain (1952/1h 43m/Comedy/Gene Kelly)
(10:00pm) Summer Stock (1950/1h 49m/Musical/Charles Walters)
Sun, October 18
(12:00am) Destination Murder (1950/1h 12m/Crime/Edward L. Cahn)
(1:45am) The Fearless Vampire Killers; or, Pardon Me but Your Teeth Are in My Neck (1966/1h 38m/HorroRoman Polanski)
(3:45am) House of Dark Shadows (1970/1h 37m/HorroDan Curtis)
(5:30am) Return to Glennascaul (1953/23m/HorroHilton Edwards)
(6:00am) The Life of Emile Zola (1937/2h 3m/Drama/William Dieterle)
(8:15am) His Girl Friday (1940/1h 32m/Comedy/Howard Hawks)
(10:00am) Destination Murder (1950/1h 12m/Crime/Edward L. Cahn)
(11:45am) The Good Earth (1937/2h 18m/Drama/Sidney Franklin)
(2:15pm) Written on the Wind (1957/1h 32m/Drama/Douglas Sirk)
(4:00pm) Dear Heart (1964/1h 54m/Comedy/Delbert Mann)
(6:00pm) Peggy Sue Got Married (1986/1h 45m/Comedy/Francis Ford Coppola)
(8:00pm) Cane River (1982/1h 30m/Drama/
(10:00pm) Losing Ground (1982/1h 26m/Comedy/Kathleen Collins)
Mon, October 19
(12:00am) Exit Smiling (1926/1h 12m/Comedy/Sam Taylor)
(2:00am) I am Waiting (1957/1h 30m/Drama/Koreyoshi Kurahara)
(3:45am) A Colt Is My Passport (1967/Drama/Takashi Nomura)
(5:30am) MGM Parade Show #5 (1955/ 25m/Documentary/?)
(6:00am) I Married a Witch (1942/ 1h 16m/Comedy/René Clair)
(7:30am) Mr. and Mrs. Smith (1941/1h 29m/Comedy/Alfred Hitchcock)
(9:15am) Touch of Evil (1958/1h 35m/Crime/Orson Welles)
(11:30am) Mogambo (1953/1h 55m/Romance/John Ford)
(1:45pm) North by Northwest (1959/2h 16m/Adventure/Alfred Hitchcock)
(4:15pm) In a Lonely Place (1950/1h 31m/Drama/Nicholas Ray)
(6:00pm) Any Number Can Play (1949/1h 52m/Drama/Mervyn Leroy)
(8:00pm) The Hound of the Baskervilles (1959/1h 24m/Mystery/Terence Fisher)
(9:30pm) Horror of Dracula (1958/1h 21m/HorroTerence Fisher)
(11:15pm) The Mummy (1959/1h 26m/HorroTerence Fisher)
Tue, October 20
(1:00am) The Curse of Frankenstein (1957/1h 22m/HorroTerence Fisher)
(2:45am) Frankenstein Created Woman (1967/1h 32m/HorroTerence Fisher)
(4:30am) Frankenstein Must Be Destroyed (1970/1h 37m/HorroTerence Fisher)
(6:15am) Front Page Woman (1935/1h 22m/Comedy/Michael Curtiz)
(7:45am) Wife Vs. Secretary (1936/1h 28m/Comedy/Clarence Brown)
(9:30am) Mr. & Mrs. North (1941/1h 7m/Comedy/Robert B. Sinclair)
(10:45am) Theodora Goes Wild (1936/1h 35m/Comedy/Richard Boleslawski)
(12:30pm) Breakfast for Two (1937/1h 5m/Comedy/Alfred Santell)
(1:45pm) Four's a Crowd (1938/1h 31m/Comedy/Michael Curtiz)
(3:30pm) It's a Wonderful World (1939/1h 26m/Comedy/W. S. Van Dyke II)
(5:00pm) Fools for Scandal (1938/1h 21m/Comedy/Mervyn Le Roy)
(6:30pm) Love on the Run (1936/1h 20m/Comedy/W. S. Van Dyke II)
(8:00pm) Women Make Film: A New Road Movie Through Cinema 08 (2019/Documentary/ Mark Cousins)
(9:15pm) Tomka and His Friends (1977/Drama/Xhanfise Keko
(10:45pm) Women Make Film: A New Road Movie Through Cinema 08 (2019/Mark Cousins)
Wed, October 21
(12:00am) Stop-Loss (2008/1h 52m/Drama/Kimberly Peirce)
(2:00am) The Third Miracle (1999/1h 59m/Adaptation/Agnieszka Holland)
(4:15am) Madeinusa (2006/2h 2m/Drama/Claudia Llosa)
(6:00am) Corpo Celeste (2011/1h 40m/Drama/Alice Rohrwacher)
(7:45am) The Birth, the Life and the Death of Christ (1906/34m/Short/Alice Guy-Blache)
(8:30am) Araya (1959/1h 22m/Documentary/Margot Benacerraf)
(10:00am) Children Of A Lesser God (1986/1h 50m/Romance/Randa Raines)
(12:15pm) Young Dr. Kildare (1938/1h 7m/Comedy/ Harold S. Bucquet)
(1:45pm) Calling Dr. Kildare (1939/1h 26m/Drama/Harold S. Bucquet)
(3:30pm) The Secret of Dr. Kildare (1939/1h 24m/Drama/Harold S. Bucquet)
(5:00pm) Dr. Kildare Goes Home (1940/1h 18m/Drama/Harold S. Bucquet)
(6:30pm) Dr. Kildare's Crisis (1940/1h 15m/Drama/Harold S. Bucquet)
(8:00pm) Hard to Handle (1933/1h 15m/Comedy/Mervyn Leroy)
(9:30pm) Beast of the City (1932/1h 27m/Drama/Charles Brabin)
(11:15pm) They Live by Night (1948/1h 35m/Drama/Nicholas Ray)
Thu, October 22
(1:00am) One Way Passage (1932/1h 9m/Romance/Tay Garnett)
(2:30am) The Prisoner of Zenda (1952/1h 41m/Romance/Richard Thorpe)
(4:15am) Green Fire (1955/1h 40m/Romance/Andrew Marton)
(6:00am) Three Faces East (1930/1h 11m/Spy/Roy Del Ruth)
(7:30am) Born to Love (1932/1h 24m/Drama/Paul L. Stein)
(9:00am) The Common Law (1932/1h 15m/Comedy/Paul L. Stein)
(10:30am) Rockabye (1932/1h 7m/Drama/George Cukor)
(11:45am) Bed of Roses (1933/1h 7m/Comedy/Gregory Lacava)
(1:00pm) Our Betters (1933/1h 23m/Comedy/George Cukor)
(2:30pm) Topper (1937/1h 37m/Comedy/Norman Z. McLeod)
(4:15pm) Topper Takes a Trip (1939/1h 25m/Comedy/Norman Z. McLeod)
(5:45pm) Merrily We Live (1938/1h 30m/Comedy/Norman Z. McLeod)
(7:30pm) MGM Parade Show #5 (1955/25m/Documentary/?)
(8:00pm) The Killers (1964/1h 37m/Crime/Donald Siegel)
(9:45pm) The Breaking Point (1950/1h 37m/Romance/Michael Curtiz)
(11:30pm) Mystery of the Wax Museum (1933/1h 12m/HorroMichael Curtiz)
Fri, October 23
(1:00am) Night of the Living Dead (1968/1h 36m/HorroGeorge A. Romero)
(3:00am) A River Called Titash (1973/2h 39m/Drama/Ritwik Ghatak)
(6:00am) Inside Straight (1951/1h 29m/Drama/Gerald Mayer)
(7:30am) Absolute Quiet (1936/1h 7m/Drama/George B. Seitz)
(8:45am) Chain Lightning (1950/1h 34m/Drama/Stuart Heisler)
(10:30am) Tycoon (1947/2h 8m/Romance/Richard Wallace)
(12:45pm) No Marriage Ties (1933/1h 5m/Drama/J. Walter Ruben)
(2:00pm) Death of a Scoundrel (1956/1h 59m/Comedy/Charles Martin)
(4:15pm) Assignment To Kill (1968/1h 42m/Drama/Sheldon Reynolds)
(6:00pm) The Drowning Pool (1975/1h 46m/Crime/Stuart Rosenberg)
(8:00pm) Creature from the Black Lagoon (1954/1h 19m/HorroJack Arnold)
(9:30pm) The Blob (1958/1h 25m/HorroIrvin S. Yeaworth Jr.)
(11:00pm) The Tingler (1959/1h 20m/HorroWilliam Castle)
Sat, October 24
(12:45am) The Thing from Another World (1951/1h 27m/HorroChristian Nyby)
(2:30am) Ninja III--The Domination (1984/1h 35m/Action/Sam Firstenberg)
(4:15am) Heavenly Bodies (1985/1h 29m/Comedy/Lawrence Dane)
(6:00am) Please Don't Eat the Daisies (1960/1h 51m/Comedy/Charles Walters)
(8:00am) MGM CARTOONS: One Cab's Family (1938/7m/Comedy/Fred [Tex] Avery)
(8:09am) Black Cats and Broomsticks (1955/8m/Documentary/Larry O'Reilly)
(8:18am) Wandering Here and There (1944/8m/Documentary/James A. Fitzpatrick)
(8:28am) King of the Lumberjacks (1940/58m/Romance/ William Clemens)
(9:30am) The Leap for Life (1937/Action/?)
(10:00am) POPEYE: Cartoons Ain't Human (1943/7m/Comedy/Dave Fleischer)
(10:09am) Tarzan and the Amazons (19451h 16m/Adventure/Kurt Neumann)
(11:30am) The Flame Song (1934/21m/Romance/Joseph Henabery)
(12:00pm) Harper (1966/2h 1m/Drama/Jack Smight)
(2:15pm) Brainstorm (1983/1h 46m/Drama/Douglas Trumbull)
(4:15pm) Men of the Fighting Lady (1954/1h 20m/Drama/Andrew Marton)
(5:45pm) Citizen Kane (1941/1h 59m/Drama/Orson Welles)
(8:00pm) Ace in the Hole (1951/1h 59m/Drama/Billy Wilder)
(10:15pm) Flesh and Fury (1952/1h 22m/Drama/Joseph Pevney)
Sun, October 25
(12:00am) Macao (1952/1h 20m/Adventure/Josef Von Sternberg)
(1:45am) The Werewolf (1956/1h 23m/HorroFred F. Sears)
(3:15am) The Howling (1981/1h 30m/HorroJoe Dante)
(5:00am) The Mummy (1932/1h 12m/HorroKarl Freund)
(6:15am) Murder on the Blackboard (1934/1h 11m/Comedy/George Archainbaud)
(7:30am) All This, and Heaven Too (1940/2h 23m/Romance/Anatole Litvak)
(10:00am) Macao (1952/1h 20m/Adventure/Josef Von Sternberg)
(12:00pm) The White Cliffs of Dover (1944/2h 6m/Romance/Clarence Brown)
(2:15pm) Around the World in 80 Days (1956/2h 50m/Adventure/Michael Anderson)
(5:30pm) What Ever Happened to Baby Jane? (1962/2h 12m/Drama/Robert Aldrich)
(8:00pm) 3:10 to Yuma (1957/1h 32m/Drama/Delmer Daves)
(10:00pm) Gunman's Walk (1958/1h 37m/Drama/Phil Karlson)
Mon, October 26
(12:00am) Häxan (1922/1h 46m/HorroBenjamin Christensen)
(2:00am) Diabolique (1955/1h 47m/HorroHenri-Georges Clouzot)
(4:15am) Eyes Without a Face (1959/1h 28m/HorroGeorges Franju)
(6:00am) The Beast with Five Fingers (1946/1h 28m/Drama/Robert Florey)
(7:45am) Mara Maru (1952/1h 38m/Adventure/Gordon Douglas)
(9:30am) They Won't Believe Me (1947/1h 35m/Drama/Irving Pichel)
(11:15am) Where Danger Lives (1950/1h 24m/Crime/John Farrow)
(1:00pm) Fingers at the Window (1942/1h 20m/Mystery/Charles Lederer)
(2:30pm) Footsteps in the Dark (1941/1h 36m/Comedy/Lloyd Bacon)
(4:15pm) Kill or Cure (1962/1h 28m/Comedy/George Pollock)
(6:00pm) The Gazebo (1960/1h 40m/Comedy/George Marshall)
(8:00pm) Nothing But the Night (1972/1h 30m/HorroPeter Sasdy)
(9:45pm) Madhouse (1974/1h 29m/HorroJames Clark)
(11:30pm) From Beyond the Grave (1973/1h 37m/HorroKevin Connor)
Tue, October 27
(1:30am) Scream and Scream Again (1970/1h 34m/HorroGordon Hessler)
(3:15am) The Satanic Rites of Dracula (1973/1h 28m/HorroAlan Gibson)
(4:45am) Dracula A.D. 1972 (1972/1h 40m/HorroAlan Gibson)
(6:30am) Somewhere in Sonora (1933/59m/Western/Mack V. Wright)
(7:45am) Along the Rio Grande (1941/1h 4m/Western/Edward Killy)
(9:00am) Valley of the Sun (1942/1h 24m/Western/George Marshall)
(10:30am) Sagebrush Trail (1933/58m/Western/Armand Schaefer)
(11:30am) Devil's Canyon (1953/1h 32m/Drama/Alfred Werker)
(1:15pm) The Hired Gun (1957/1h 3m/Adventure/Ray Nazarro)
(2:30pm) Black Patch (1957/1h 22m/Western/Allen H. Miner)
(4:00pm) Virginia City (1940/2h 1m/Western/Michael Curtiz)
(6:15pm) Escape from Fort Bravo (1953/1h 38m/Drama/John Sturges)
(8:00pm) Women Make Film: A New Road Movie Through Cinema 09 (2019/Documentary/Mark Cousins)
(9:15pm) Fjols til fjells (1957/1h 30 m/Comedy/Edith Carlmar)
(11:00pm) Women Make Film: A New Road Movie Through Cinema 09 (2019/Documentary/Mark Cousins)
Wed, October 28
(12:15am) Girlfriends (1978/1h 26m/Comedy/Claudia Weill)
(2:00am) The Connection (1962/1h 43m/Drama/Shirley Clarke)
(4:00am) Lost in Yonkers (1993/1h 54m/Comedy/Martha Coolidge)
(6:00am) Party Girl (1994/1h 34m/Comedy/Daisy Von Scherler Mayer)
(7:45am) Mabel's Strange Predicament (1914/Comedy/Mabel Normand)
(8:15am) Foreign Letters (2012/1h 40m/Biography/Ela Their)
(10:00am) Winter Meeting (1948/1h 44m/Drama/Bretaigne Windust)
(12:00pm) I Know Where I'm Going (1945/1h 32m/Comedy/Michael Powell)
(1:45pm) The Enchanted Cottage (1945/1h 31m/Romance/John Cromwell)
(3:30pm) Random Harvest (1942/2h 4m/Romance/Mervyn Leroy)
(6:00pm) Desire Me (1947/1h 31m/Drama/George Cukor)
(8:00pm) The Best Man (1964/1h 42m/Drama/Franklin J. Schaffner)
(10:00pm) The Last Hurrah (1958/2h 1m/Drama/John Ford)
Thu, October 29
(12:15am) The Great McGinty (1940/1h 22m/Comedy/Preston Sturges)
(2:00am) The Candidate (1972/1h 49m/Drama/Michael Ritchie)
(4:00am) All the King's Men (1949/1h 49m/Drama/Robert Rossen)
(6:00am) Haunted Gold (1932/58m/Western/Mack V. Wright)
(7:00am) The Devil-Doll (1936/1h 19m/HorroTod Browning)
(8:30am) Before Dawn (1933/1h/Mystery/Irving Pichel)
(9:45am) Man Alive (1946/1h 10m/Comedy/Ray Enright)
(11:00am) Tormented (1960/1h 15m/Drama/Bert I. Gordon)
(12:30pm) Angel on My Shoulder (1946/1h 41m/Comedy/Archie Mayo)
(2:15pm) Night of Dark Shadows (1971/1h 37m/HorroDan Curtis)
(4:00pm) Indestructible Man (1956/1h 10m/HorroJack Pollexfen)
(5:15pm) From Hell It Came (1957/1h 11m/HorroDan Milner)
(6:30pm) Death Curse of Tartu (1966/1h 27m/HorroWilliam Grefé)
(8:00pm) Winchester '73 (1950/1h 32m/Western/Anthony Mann)
(10:00pm) She Wore a Yellow Ribbon (1949/1h 43m/Drama/John Ford)
Fri, October 30
(12:00am) Primary (1960/1h/Documentary/Robert Drew)
(1:15am) Crisis: Behind a Presidential Commitment (1963/58m/Documentary/Robert Drew)
(2:15am) Dos Monjes (1934/Drama/
(4:00am) Of Mice and Men (1939/1h 47m/Drama/Lewis Milestone)
(6:00am) MGM Parade Show #5 (1955/25m/Documentary/?)
(6:30am) Doctor X (1932/1h 16m/HorroMichael Curtiz)
(8:00am) The Mask of Fu Manchu (1932/1h 12m/Adventure/ Charles Brabin)
(9:30am) The Most Dangerous Game (1932/1h 3m/Drama/Ernest B. Schoedsack)
(10:45am) Island of Lost Souls (1932/1h 10m/Romance/Erle C. Kenton)
(12:00pm) White Zombie (1932/1h 13m/HorroVictor Halperin)
(1:30pm) The Vampire Bat (1933/1h 3m/HorroFrank Strayer)
(2:45pm) Mystery of the Wax Museum (1933/1h 12m/HorroMichael Curtiz)
(4:15pm) Mad Love (1935/1h 7m/HorroKarl Freund)
(5:30pm) The Walking Dead (1936/1h 6m/HorroMichael Curtiz)
(6:45pm) The Return of Dr. X (1939/1h 2m/HorroVincent Sherman)
(8:00pm) The Four Skulls of Jonathan Drake (1959/1h 10m/HorroEdward L. Cahn)
(9:15pm) Eye of the Devil (1966/1h 29m/HorroJ. Lee Thompson)
(11:00pm) The Devil's Bride (1968/1h 35m/HorroTerence Fisher)
Sat, October 31
(12:45am) The Wicker Man (1974/1h 37m/HorroRobin Hardy)
(2:30am) Fleshpot on 42nd Street (1972/1h 20m/HorroAndy Milligan
(4:00am) Guru the Mad Monk (1970/1h 2m/HorroAndy Milligan)
(5:15am) Distant Drummer: Flowers of Darkness (1972/22m/Documentary/William Templeton)
(6:00am) Freaks (1932/1h 30m/HorroTod Browning)
(7:15am) Dr. Jekyll and Mr. Hyde (1932/1h 30m/HorroRouben Mamoulian)
(9:00am) House of Wax (1953/1h 28m/HorroAndre Detoth)
(10:45am) Children of the Damned (1964/1h 30m/HorroAnton M. Leader)
(12:30pm) The Bad Seed (1956/2h 9m/HorroMervyn Leroy)
(2:45pm) The Picture of Dorian Gray (1945/1h 50m/Drama/Albert Lewin)
(4:45pm) The Wolf Man (1941/1h 11m/HorroGeorge Waggner)
(6:00pm) The Haunting (1963/1h 52m/Drama/Robert Wise
(8:00pm) Dr. Strangelove or: How I Learned To Stop Worrying and Love the Bomb (1964/1h 33m/Comedy/Stanley Kubrick)
(10:00pm) Them! (1954/1h 34m/HorroGordon Douglas)
submitted by tombstoneshadows28 to movies [link] [comments]

/r/QOTSA Official Band of the Week 8: ARCTIC MONKEYS

So yeah, I threw a TON of shade at our Frigid Ape friends last week (but maybe not as much as I did at Meg White - but she deserves it. She knows what she did.) So if you had not guessed it already, this week we will focus on Alex Turner and some other guys. Yes, you might say that we have come crawling back to them. I even contemplated telephoning them after I was imbibing.
Yes, I only made that call while I was somewhat elevated.
It is rumored that these Wintry Orangutans may have established a taco-exporting lunar base (it actually had a high local Yelp rating, or so I’ve heard). Yes, these Chilled Hominids are our focus. They have 7 Brit Awards and 6 studio albums. (Side note: Robbie Williams has 18 Brit Awards so I’m pretty sure you can buy them at the airport kiosk.) They also, according to reliable sources, appear handsome on surfaces upon which you rhythmically gyrate.
They are this week’s featured artist.
About Them
One of the defining characteristics of JHo and the Boys can also be found with this group of Frosty Baboons: They never make the same record twice. Consequently, they are tough to define. They are a mash-up of influences and styles and each new album veers off in wildly different directions. Are you dressed up in a jean jacket with lots of buttons? You’ll love their sometimes Indie vibe. Just smoked a bowl? Yep, they have that desert groove. Feel like a night out with the lads? Their earlier, more up-tempo stuff is for you. Thinking more Billy Joel/Elton John? Yes, they have piano-based music. Want hip-hop?
Screw you, I did the Run the Jewels post already. Go back there.
These Bitter Mandrils hail from Sheffield, England. The band was formed in 2002 between a group of close friends. They initially had Andy Nicholson on bass, but after a series of conflicts on a North American tour, he got the boot. His replacement was Yellam’o Salochin - or as he’s better known, Nicholas O’Malley. The other core members of the band are Jamie Cook on guitar, Matt Helders on drums, and the one and only Alex Turner on just about everything (but most typically the microphone).
Although initially lacking in confidence, Turner would soon be pushed to the front of the band for his way with words. The reason for this would eventually become clear, as Turner revealed in 2013 that all band members are actually Alex Turner. Lets not deal with that Game of Thrones-esque plot twist yet though.
Stylistically, these guys are about as British as they come. You know how when people from England sing, they almost always sound like they have no accent? Turner is the exception. No, I don’t mean that he’s like John Lydon from The Sex Pistols, because part of that band’s rebellion was to sound quintessentially British instead of like manufactured pop. And no, I don’t mean that he is like Liam Gallagher from Oasis, because let’s face it, that guy barely sings anyway.
In his early work, Turner decided to double-down on his roots and perform his songs with his regional dialect. You can literally hear the Sheffield twang in his music, and the band would exemplify this British charm in all the tracks leading up to their first album.
After much practice, and several gigs, the band recorded some demos and began handing them out for free at their concerts. This eighteen song collection, dubbed Beneath the Boardwalk, would garner them a fair bit of fame, and was soon popping up on various file sharing and social media websites. That’s right. The number one lesson you need to take away from this is: if you want to get famous, MySpace is the way (even though they didn't even make their own page).
Soon they released an EP named Five Minutes with Arctic Monkeys on their own label. The success of this led to them playing the Reading and Leeds festival, where they drew an unusually large crowd for such an “unknown” band. In 2005 they signed with Domino Records, and released their debut single I Bet You Look Good on the Dancefloor to great success, reaching No. 1 on the UK singles chart.
By September of the same year, the band’s first album, Whatever People Say I am, That’s What I’m Not was done. Upon release, it became the fastest selling debut album in UK history, with over 360,000 copies sold in the first week. This album was (and still is) the epitome of British indie punk, and is pretty much the national anthem of North England night clubbers. No, not that kind of clubbers - clearly, I mean something more like this.
After this album, and a few singles / short EPs, “Who The Fuck Are Arctic Monkeys?” was the question on everyone’s mind.
This was answered in the release of their follow up album, Favourite Worst Nightmare (2007), which also hit No. 1 on the charts shortly after release. Much like it’s predecessor, it drips with Sheffield character, but in a slightly different manner. The song writing on this record gives a range between blistering speed and raw emotion. Tracks like Do Me a Favour and 505 demonstrate prowess and dexterity in Turner’s writing, and hinted at darker, more serious tones for the band’s future.
This came to fruition on what some may view as the band’s most important record: Humbug (2009). Our boy Josh took the young lads under his wing, producing and co-writing this album in the one and only Rancho de la Luna. When you listen to it, it shows. This record is dark, moody, and full of beautifully weird metaphors and winding riffs. There is still a good amount of energy in this album, seen in tracks like Pretty Visitors, but the dark moody undertones of the desert are strongly on display in songs like The Jeweller’s Hands and My Propeller. All in all, this album was one that saw an amazing level of evolution in the band’s song writing (and I swear, all that Josh touches turns to gold.)
Oh and this album also soared to No.1 on release. Go figure.
A few years later, they released the album Suck It and See (2011), a record that was a pure ray of sunshine compared to Humbug. The album features a considerably lighter sound, not that it lacks that signature Turner flair, but the tracks generally lean towards a slightly more accessible sound. All in all, it’s still a great album, and an important step in their musical development. Also, please expect to see somebody write a 4 page essay on why Brick By Brick is the best song they have ever written over on their subreddit by next week.
Oh and it also reached No.1 on release. Noticing a trend maybe?
Anyway, these Glacial Lemurs then released that squiggles album in 2013. It became marginally popular. Something something also reached No. 1, something something popular in America, something something Alex Turner’s greaser haircut was SO cool and I want it back. It is also worth noting that our boy Ginger Elvis made a cameo on this record (so I mean, it’s gotta be cool).
Moving on, their most recent album saw Turner embark on a Taco-Powered mission to the Moon. Tranquility Base Hotel & Casino (2018) was originally going to be released as a Turner solo album. However, upon hearing it, his band mates decided to join in and make it into a fully fledged Numb Chimpanzees record. Moon-Tacos can be persuasive.
This album is chock full of alluring and idiosyncratic lyrics that conjure up wonderfully unique aesthetics. It has a laid back, piano-centric melancholy feel that is found nowhere else in their discography. It is so different from their previous albums that many have mixed views on it, but in my opinion, it’s the ultimate grower - I only started enjoying it on maybe the 5th listen. Overall I give it a solid 80% (unheard of, I know!)
Oh and of course, it also hit No. 1.
And notice how I never returned to that Game of Thrones Plot twist? Yep, just like the final season. No, I am not bitter...why do you ask?
That puts a neat bow on their discography, give or take their numerous B-Sides, which are a whole other rabbit hole. I have also neglected some other important Alex Turner records, such as Submarine (his only solo album) and both albums by The Last Shadow Puppets, which are also important stylistic stepping stones for the band. This also explains why Alex Turner’s shoulders are so strong, since he has to carry Miles Kane’s career on both of these records.
All in all, Turner is also a lot like our very own Baby Duck in that he has done multiple projects with multiple artists above and beyond his core band. A self-described “control freak” and reluctant frontman - yet he seems possessed by a desire to constantly explore, create and collaborate on new music.
There’s nothing quite like these Arctic Monkeys, even if their name is really easy to mess up.
Links to QOTSA
Queens of the Stone Age and our featured Polar Simians first met at a rather disappointing gig in Houston in 2007. Josh described them as a ”down-to-earth, earnest group of people that grew up together and somehow made a bubble to protect themselves from the explosion that is their band.” He also remarked that, ”They’ve been playing this most dangerous game of changing every record and reaching like a rock climber for the next grip.”
It is clear that Josh saw his own musical journey reflected in the band, so much so that Homme co-produced and co-wrote their 2009 third studio album, Humbug. That album was recorded in large part out at Rancho de la Luna. Queens have even done a cover version of Why’d You Only Call Me When You’re High?
Alex Turner did guest vocals on If I Had a Tail. Josh reciprocated by doing guest vocals on Knee Socks. During the recording of AM, Turner said of Josh: ”He came down and sort of got us out of a little rut. It’s just fun, it’s friends, extended family now...His contribution to our record is really exciting, it’s probably my favourite.” Josh has stated about Turner that ”he has a special gift for the gab” and that Matt Helders is ”one of the best drummers in rock ‘n’ roll.” Helders joined Josh, Dean Fertita and Iggy Pop to record Post Pop Depression at Rancho de la Luna in 2015.
Their Music
Fluorescent Adolescent
R U Mine?
Brick by Brick
505
Why’d You Only Call Me When You’re High?
Knee Socks
Pretty Visitors
I Bet You Look Good On The Dancefloor
Mardy Bum
Four Out Of Five
Show Them Some Love
/arcticmonkeys
Previous Posts
Tool
Alice in Chains
King Gizzard and the Lizard Wizard
Rage Against the Machine
Soundgarden
Run the Jewels
Royal Blood
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40 Best Songs of All Times About Poker, Dice, Cards and Addiction

40. Go Down Gamblin’ - Blood Sweat and Tears

Released in 1971, Go Down Gamblin’ by Blood Sweat and Tears is a song describing a gambler who is “born a natural loser.” He never wins, no matter what game he plays, but, he doesn’t feel like a loser. As the song goes – “Cause I've been called a natural lover by that lady over there, Honey, I'm just a natural gambler but I try to do my share.”

39. Gambler - Madonna

Gambler is a song written and played by Madonna, made for the film Vision Quest. Although the song reached the top 10 in the charts of the UK, Australia, Belgium, Ireland, Netherlands, and Norway, Madonna performed it only once on her 1985 The Virgin Tour. It’s a catchy song, we suggest you play it as you spin the reels of some of your favourite retro online slots.

38. The House of the Rising Sun - The Animals

Our list wouldn’t be complete without the 1964 hit song - The House of the Rising Sun by The Animals. Everybody knows the famous lines ”My mother, she was a tailor, sewed these new blue jeans, my father was a gamblin' man way down in New Orleans.” This single had a major success and made it to the top 10 songs on mainstream rock radio stations in the USA. Likewise, the hit was featured in the video game Guitar Hero Live.

37. The Winner Takes It All - ABBA

Whether we admit it or not, we all love at least some songs played by the very well-known Swedish pop group, ABBA. According to some sources, Bjorn Ulvaeus wrote the 1980 hit song The Winner Takes It All which was inspired by his divorce to his fellow band member, Agnetha Fältskog. The winner takes it all is a sort of a comparison to a divorce (especially the part ”I've played all my cards and that's what you've done too, nothing more to say, no more ace to play”), where one of them is the winner and the other one is left with nothing. And things are just the same when it comes to gambling, so we’ve decided to put the song on our list.

36. Shape of my Heart - Sting

We’re all aware of the fact that our gambling behaviour can be influenced by certain types of music and that's because online gambling and music go hand in hand. So, we suggest you start playing your preferred games with one of everyone’s favourite songs by Sting called The Shape of my Heart. It was released in 1993 and used for the end credits of the film Léon. In one of his interviews, Sting explained that the lyrics of the song tell the story of a card player who places bets not in order to win but to figure out something that’s been bothering him - “some kind of scientific, almost religious law.”

35. All I Wanna Do Is Play Cards - Corb Lund

Well, I guess I really oughta be makin up songs but all I wanna do is play cards. I know it's dumb and sick and wrong but all I wanna do is play cards. Got the studio booked in Tennessee, and my record producer's callin me, the tape will roll in just three weeks and all I wanna do is play cards.” Does it sound familiar? It’s a 2005 hit by Corb Lund called All I Wanna Do Is Play Cards, once you hear it you’ll be playing it on repeat.

34. Gambling Man - The Overtones

When you’re falling in love, it’s perfectly normal to feel like you want to gamble everything just to attract that person’s attention to notice you and love you back. Well, Gambling Man is a lively 2010 song that tells a story of a guy fascinated with his love, so he places all his bets on her, as the song goes - “I played my hand, I rolled the dice, now I'm paying for my sins, I got some bad addiction.” This time, he feels that this love affair is different from any other – “Baby, it's you, yeah, yeah, that's right.” The song was released in 2010 and has been popular ever since.

33. Poker Face - Lady Gaga

Although the Poker Face song is more about the game of romance rather than the game of poker, the catchy refrain that starts with “Can't read my, no he can't read my poker face” kinda reminds us of winning at the tables, so we couldn’t skip it this time. Released in 2008, the song achieved worldwide success, topping the charts in the USA, the UK, Australia, Canada and several European countries.

32. Little Queen of Spades - Robert Johnson

Moving on to the Little Queen of Spades, a song title by the American blues musician Robert Johnson who recorded the song in 1937 and first released it in 1938. The first version of this gambling-themed song has a playing time of 2:11, whereas the second one lasts 4s longer (2:15), and is considered an alternate take and first appeared on Johnson's album The Complete Recordings, in 1990.

31. Train of Consequences - Megadeth

Another great song Train of Consequences is the title created by Megadeth, released as the first single from their sixth studio album Youthanasia in 1994. The song was later included on their compilation albums and its music video was the 26th most played video on MTV. There’s this part of the song “No horse ever ran as fast as the money that you bet, I'm blowing on my cards and I play them to my chest” – which is about a person’s gambling problem, who realises something’s wrong with this lifestyle, but it still hunts him down. Could be just the thrill, but he just can’t stop playing.

30. Gambler - Whitesnake

Released on the album Slide It In (1984) and appearing on the compilation album Gold (2006), Gambler is the song by the British hard rock band Whitesnake. These words may sound familiar - “No fame or fortune, no luck of the draw, when I dance with the Queen of Hearts, a jack of all trades, a loser in love, it's tearing my soul apart”. And in case you’ve never heard it, we think you should give it a shot, the chances are you’re going to love it!

29. Gambling Man - Woody Guthrie

Now here’s one single from 1957 - Gamblin' Man. The song was taped live at the London Palladium and published as a double A side, with Puttin' On the Style. Reaching #1 in the UK Singles Chart in the summer 1957, it was “the last UK number 1 to be released on 78 rpm format only, as 7' vinyl had become the norm by this time.” Written by Woody Guthrie and Donegan, this gambling themed song was produced by Alan Freeman and Michael Barclay.

28. Roll of the Dice - Bruce Springsteen

According to Songfacts, Roll of the Dice was the first Springsteen’s song he didn’t write by himself. In fact, E Street Band’s pianist Roy Bittan helped with the music, while Springsteen was in charge of the lyrics, starting with – “Well I've been a losin' gambler, just throwin' snake eyes, Love ain't got me downhearted. I know up around the corner lies, My fool's paradise in just another roll of the dice.” After he broke up the E Street Band in October 1989, Springsteen wrote lyrics for the Roll of the Dice (with two other songs) and liked them to the point where he began writing and recording more songs.

27. Queen of Diamonds - Tom Odell

Here’s one song about a gambling fanatic who’s trying to satisfy his own addiction but also someone else, hoping it’s going to save him. Released in 2018, Queen of Diamonds is Tom Odell’s song from the album Jubilee Road, based on the local characters that inspired this British songwriter to include the whisky-soaked gamblers who regularly visited one betting shop.

26. The Angel and the Gambler - Iron Maiden

Now, this song may divide Iron Maiden fans and it’s most probably because of its repetitive lyrics that can be a bit annoying. The release we’re talking about is The Angel and the Gambler. Truth be told, the melody in general is very catchy and, even a bit similar to The Who in some moments. As the song was released in 1998 while Blaze Bayley was its frontmen, it’s missing the well-known high-pitch vocals from Bruce Dickinson.

25. Ramblin' Gamblin Man - Bob Seger

We’re moving on to a rock single from 1978 - Ramblin' Gamblin Man by Bob Seger. The author meets an old acquaintance, a professional gambler who happens to be a swagger. As such, he attracts people’s attention whenever he bets. Putting so much of his faith in the cards (rather than in people), he walks away every time, just before avoiding loss. Along the way, the narrator realises that, if you scratch beneath the surface, you’ll find he’s a very cynical man, who will never change.
Another gambling-themed song worth mentioning by Bob Seger is Still The Same.

24. Blow Up The Pokies - The Whitlams

Blow up the Pokies is the next song on our list, played by The Whitlams. It is the second single by the group from their 4th studio album, Love This City. Released in the year 2000, the song became a hit and made it to number 21 on the ARIA Singles Chart. According to several resources, the lyrics written by singer Tim Freedman were inspired by the destruction he saw in original Whitlams bassist Andy Lewis's life, due to his gambling addiction.

23. A Good Run of Bad Luck - Clint Black

Now here’s one 1994-song packed with gambling-related terms. As you listen to A Good Run of Bad Luck, recorded by American music artist Clint Black, you'll have a bit of fun as you try identifying what all these gambling terms mean. The song is a bit fast and is about falling in love by using gambling metaphors. The main character is willing to spend a lot of money to win his special lady over and, although he has had a period of bad luck, he is not giving up – “I've been to the table, and I've lost it all before, I'm willin' and able, always comin' back for more.

22. When You’re Hot, You’re Hot - Jerry Reed

Jerry Reed won a Grammy for the song When You’re Hot, You’re Hot which was released in 1971. Most people remember it as it was a major hit, ranked as number 1 in the country charts, also making its way up the Pop Top 40. It’s an enjoyable novelty song about the ups and downs of the gambling life, about one’s winning streak caught in an illegal game of Crap.
Country star Jerry Reed also came up with a version The Uptown Poker Club in 1973.

21. Lawyers, Guns and Money - Warren Zevon

Next one up - Lawyers, Guns and Money is a song by Warren Zevon, the closing track on his album Excitable Boy, released in 1978. An edited version of this song was distributed as a single and found itself on the A Quiet Normal Life best of compilation on the CD and LP. The song goes like this - “I went home with a waitress the way I always do, how was I to know she was with the russians, too? I was gambling in Havana, I took a little risk Send lawyers, guns, and money Dad, get me out of this, hiyah!

20. The Lottery Song - Harry Nilsson

According to the man in the 1972 pop-rock song The Lottery Song by Harry Nilsson, there's more than one way to get to Vegas. Addressing his lover, the narrator mentions a few different options for buying a ticket and going to Sin City – “We could win the lottery we could go to Vegas,” and “We could wait till summer, we could save our money” as well as “We could make a record, sell a lot of copies, we could play Las Vegas.”

19. Casino Queen - Wilco

Now here’s one black-humoured gambling-themed song, released in 1995 and titled after a casino. Featuring a dirty electric guitar, Casino Queen was composed by an American songwriter, Jeff Tweedy, who wrote this song after playing a game in a riverboat casino accompanied by his dad. Inspired by the event, the author wrote: “Casino Queen my lord you're mean, I've been gambling like a fiend on your tables so green.

18. Have a Lucky Day - Morphine

Another song on our list that you simply must check out starts like this: “I feel lucky, I just feel that way, I'm on a bus to Atlantic City later on today. Now I'm sitting at a blackjack table and swear to God the dealer has a tag says, "Mabel." Hit me, hit me! I smile at Mabel, soon they're bringing complimentary drinks to the table.” Check it out yourself - it’s called Have a Lucky Day by Morphine.

17. Kentucky Gambler - Merle Haggard

Written by Dolly Parton and released in 1974, Merle Haggard’s Kentucky Gambler is another song on our ultimate gambling playlist that you should pay attention to. It’s about a miner from Kentucky who leaves his family to gamble, under the bright lights of Reno. Unsurprisingly, his winning streak comes to an end, and he loses all his winnings. All broke, he decided to return back home only when he arrived, he found out his wife was involved with someone else.

16. The Jack - AC/DC

The next song on our list will give you some adrenaline boost, for sure. It goes like this - “She gave me the queen, she gave me the king, she was wheelin' and dealin', just doin' her thing, she was holdin' a pair, but I had to try…” Sounds familiar? This song from the 1975s is called The Jack and is played by AC/DC and there’s no way you can skip it.

15. Blackjack - Ray Charles

Moving on to something a bit different - a melody that blackjack lovers can listen to as they play is Ray Charles’ Blackjack. Apart from being a good quality song from 1955, it carries an important message with an emphasis on how brutal the game of blackjack can be. Some sources say that Ray Charles wrote it after beating T-Bone Walker at a blackjack game session.
Yet another Ray Charles’ famous song about gambling is called a Losing Hand.

14. Ooh Las Vegas - Gram Parson

Ooh, Las Vegas, ain't no place for a poor boy like me”... is a song-into for Ooh Las Vegas which was written by Gram Parsons and Ric Grech. It was first released by Gram Parsons with Emmylou Harris in 1974. Playing this song would be perfect for the beginning of the road trip (i.e. to Las Vegas), especially if you have the energy to sing along.

13. The Stranger - Leonard Cohen

Published in 1968 and performed by Leonard Cohen, The Stranger appears in the The Ernie Game movie about a man released from a mental asylum. More appropriately, it is the perfect opening song in the 1971 Western McCabe & Mrs Miller, in which Warren Beatty plays a gambler. As you listen to this song (without watching the movie), it makes you see fascinating images of card games, smoky dreams, and concepts of risk versus safety.

12. Desperado - Eagles

Written by Glen Frey and Don Henley, Desperado song is one of The Eagles’ greatest hits from their 1973 album of the same name. The song features a classic tune while the ballad tells the story of a lone wolf imprisoned by his loneliness. As for the lyrics, they have loads of card references mentioning the queen of diamonds, the queen of hearts, and so on.

11. Huck's Tune - Bob Dylan

The next song on our list is about the risks of poker, money, and relationships, which are precisely what the movie Lucky You is all about. Does it ring a bell? That’s right, this 2007 song is called Huck’s Tune and is performed by Bob Dylan. Each of us can all relate to lines "You push it all in, and you've no chance to win, you play 'em on down to the end." Play the song and you’ll enjoy more than 4 amazing minutes of Bob Dylan.
Likewise, Bob Dylan recorded Rambling, Gambling Willie and Lily, Rosemary and the Jack of Hearts, both excellent and both inspired by gambling.

10. Four Little Diamonds - Electric Light Orchestra

A song by the British rock band Electric Light Orchestra Four Little Diamonds was released in 1983 and found itself on the album Secret Messages. The single wasn’t so popular in the US, being only 2 weeks on the Billboard Hot 100 chart, at number 86, and number 84 in the UK. This song refers to the singer’s cheating lover who tricked him out of a ring which had 'four little diamonds' on it.

9. You Can't Beat The House - Mark Knopfler

Moving on to our next choice for the day, You Can’t Beat the House. It’s the third song on the Get Lucky studio album released in 2009 by British singer-songwriter and guitarist Mark Knopfler. The album and the songs received favorable reviews with the album reaching the top three positions on album charts in Denmark, Germany, Italy, the Netherlands, Norway, and Poland. The singer’s divine voice combined with beautiful music and lyrics goes like this – “You can't bear the house, you can't bear the house, tell the man somebody, you can't beat the house.

8. Deck of Cards - Don Williams

Deck of Cards is a recitation song that tells the story of a soldier who gets caught while playing cards in church and then faces a sentence from a superior officer. The soldier defends his case, explaining he wasn't about to deal a hand of poker, but was rather confirming his faith with the cards. Performed by T. Texas Tyler, the song managed to become a major hit in the 1940s and 1950s. Also, Wink Martindale had an even bigger hit with his 1959 cover, with a successful version by Don Williams featuring Tex Ritter and Buddy Cole.

7. Gambler’s Blues - B.B. King

First recording of the song Gambler’s Blues by B.B. King was in 1966, and it was released in 1967. The song appears on the album Back in the Alley (1970). Some say gambling and blues go hand in hand, so if you (gambling fans) haven’t heard it, listen and see for yourself.

6. Tumbling Dice - Rolling Stones

One of our favourite songs on the list is Tumbling Dice, written by Mick Jagger and Keith Richards. It tells the story of a gambler who can’t remain faithful to any woman. Being released in the 1970s and featuring a blues boogie-woogie rhythm, the song was and still is one of the greatest singles of all time.
Rolling Stones also recorded Casino Boogie, and it’s from their 1972 album, Exile on Main St.

5. Luck Be A Lady - Frank Sinatra

The next song on our list is about a gambler who hopes that he will win a bet, the outcome of which will decide whether he is able to save his relationship with the girl of his dreams. You probably know what song we’re talking about; it’s called Luck be a Lady released in 1965 and performed by one of the most popular musical artists - Frank Sinatra.

4. Deal - Grateful Dead

Next one up is the song Deal. It was first performed by the Grateful Dead in 1971, as a regular part of the repertoire through their 1970's tour. Although being less common to the fans during the 1990s, the band continued to perform it. The singer opens with the message: “Since it cost a lot to win and even more to lose you and me bound to spend some time wondering what to choose,” that later kicks off with a chorus: “Don't let your deal go down...
Loser is another song first performed by the Grateful Dead in 1971 as well, heavily played during 1971 and 1972.

3. Ace of Spades - Motörhead

Ok, the next song is loaded with some great gambling verses like "The pleasure is to play, makes no difference what you say, I don't share your greed, the only card I need is the Ace of Spades" will definitely set you in the right mood for hitting some winning combinations. Released in 1980, the song was inspired by slot machines that the lead singer Ian Fraser “Lemmy” Kilmister played in London pubs.

2. Viva Las Vegas - Elvis

As soon as you start playing the second song from our playlist “Viva Las Vegas,” you’ll probably picture a huge casino and a great gaming atmosphere. Performed by the legendary Elvis Presley, the 1964-released song brings the glamour of the city, and its beat will get you in the mood for some serious gameplay. This song was written for the movie of the same name starring Elvis Presley, in which he plays a race car driver waiting tables at a hotel to pay off a debt. There’s this famous scene when he performs this song at the talent competition alongside many showgirls.

1. The Gambler - Kenny Rogers

Performed by the legendary country singer Kenny Rogers, The Gambler song is our number 1 - it's full of some betting advice that are relevant today, even though it was released more than 40 years ago, in 1978. Here’s how it goes… “If you're gonna play the game, boy you gotta learn to play it right, you've got to know when to hold 'em, know when to fold 'em, know when to walk away, and know when to run.” These classic chorus lines were told from the first-person perspective inspired by a conversation the author had with an experienced poker player on a train. Written in the form of poker metaphors, Schlitz wrote the tune in honor of his late father.
Johnny Cash is also among other musicians who recorded The Gambler in 1978, on Gone Girl.

What do you think? Which one is your favourite?

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Turner Classic Movies (U.S.) Schedule For The Month Of September, 2020 (All Airtimes E.S.T)

Tuesday, September 01, 2020
(1:15 AM) (drama) L'Eclisse (1962/126 m/Michelangelo Antonioni)
(3:30 AM) (western) Lost Command (1966/129 m/Mark Robson)
(6:00 AM) (suspense) The 39 Steps (1935/87 m/Alfred Hitchcock)
(7:45 AM) (suspense) The Lady Vanishes (1938/96 m/Alfred Hitchcock)
(9:30 AM) (suspense) Foreign Correspondent (1940/121 m/Alfred Hitchcock)
(11:45 AM) (suspence) Suspicion (1941/99 m/Alfred Hitchcock)
(1:27 PM) (short) Men In Fright (1938/11 m/George Sidney)
(1:45 PM) (suspense) Stage Fright (1950/110 m/Alfred Hitchcock)
(3:45 PM) (suspense) Dial ‘M’ For Murder (1954/105 m/Alfred Hitchcock)
(5:32 PM) (short) Third Dimensional Murder (1941/7 m/George Sidney)
(5:45 PM) (suspense) The Wrong Man (1956/105 m/Alfred Hitchcock)
(7:34 PM) (short) Wrong Way Butch (1950/10 m/David Barclay)
(8:00 PM) (premiere) Women Make Film: A New Road Movie Through Cinema (episode 1) (2019/60 m/Mark Cousins)
(10:45 PM) (documentary) Women Make Film: A New Road Movie Through Cinema (episode 1) (2019/60 m/Mark Cousins)
Wednesday, September 02, 2020
(12:00 AM) (premiere) Olivia (1951/96 m/
(1:45 AM) (premiere) Sleepwalking Land (2008/96 m/Teresa Prata)
(3:30 AM) (premiere) Seven Beauties (1975/117 m/Lina Wertmuller)
(5:30 AM) (premiere) Je tu il Elle (1975/86 m/Chantal Akerman)
(6:57 AM) (short) Over The Counter (1932/18 m/Jack Cummings)
(7:15 AM) (premiere) Madchen In Uniform (1931/89 m/Leontine Sagan)
(9:00 AM) (comedy) La Cienaga (2001/101 m/Lucrecia Martel)
(11:00 AM) (musical) Yolanda and the Thief (1945/108 m/Vincente Minnelli)
(1:00 PM) (musical) Call of the Flesh (1930/100 m/Charles Brabin)
(2:45 PM) (musical) Fiesta (1947/102 m/Richard Thorpe)
(4:30 PM) (musical) Pan-Americana (1945/84 m/John H. Auer)
(6:00 PM) (romance) Latin Lovers (1953/104 m/Mervyn Le Roy)
(8:00 PM) (musical) Sweet Charity (1969/148 m/Bob Fosse)
(10:45) (drama) All That Jazz (1979)
Thursday, September 03, 2020
(1:00 AM) (musical) Cabaret (1972/124 m/Bob Fosse)
(3:15 AM) (premiere) Star ‘80 (1983/103 m/Bob Fosse)
(5:15 AM) (documentary) A Well Spent Life (1971/44 m/Les Blank)
(6:00 AM) (suspense) The Window (1949/73 m/Ted Tetzlaff)
(7:15 AM) (comedy) Having Wonderful Time (1938/70 m/Alfred Santell)
(9:30 AM) (drama) Picnic At Hanging Rock (1975/107 m/Peter Weir)
(10:30 AM) (adventure) Corvette Summer (1978/105 m/Matthew Robbins)
(12:15 PM) (romance) A Stolen Life (1946/107 m/Curtis Bernhardt)
(2:15 PM) (drama) The Southerner (1945/93 m/Jean Renoir)
(4:00 PM) (comedy) The Seven Year Itch (1955/104 m/Billy Wilder)
(5:49 PM) (short) Mackinac Island (1944/9 m/James A. FitzPatrick)
(6:00 PM) (romance) Summer of ‘42 (1971/104 m/Robert Mulligan)
(9:00 PM) (drama) The Story of Louis Pasteur (1936/86 m/William Dieterle)
(9:45 PM) (drama) The Story of Dr. Jenner (1939/10 m/Henry K. Dunn)
(10:00 PM) (drama) Sister Kenny (1946/116 m/Dudley Nichols)
Friday, September 04, 2020
(12:01 AM) (short) See Your Doctor (1939/8 m/Basil Wrangell)
(12:15 AM) (drama) Dr. Ehrlich's Magic Bullet (1940/103 m/William Dieterle)
(2:15 AM) (drama) Arrowsmith (1931/99 m/John Ford)
(4:15 AM) (adventure) Yellow Jack (1938/83 m/George B. Seitz)
(5:47 AM) (short) Her Honor, The Nurse (1956/8 m/Harry W. Smith)
(6:00 AM) (drama) Madame Curie (1943/124 m/Mervyn Le Roy)
(9:15 AM) (documentary) Hollywood: The Dream Factory (1972/51 m/Mark Woods)
(9:30 AM) (comedy) Some Like It Hot (1959/122 m/Billy Wilder)
(11:45 AM) (comedy) The Apartment (1960/125 m/Billy Wilder)
(2:00 PM) (comedy) The Prisoner of Second Avenue (1974/98 m/Melvin Frank)
(4:00 PM) (comedy) The Sunshine Boys (1975/111 m/Herbert Ross)
(6:00 PM) (comedy) The Goodbye Girl (1977/111 m/Herbert Ross)
(8:00 PM) (premiere) The T.A.M.I. Show (1964/113 m/Steve Binder)
(10:15 PM) (documentary) Let The Good Times Roll (1973/99 m/Sidney Levin)
Saturday, September 05, 2020
(12:00 AM) (documentary) Elvis: That’s The Way It Is (1970/95 m/Denis Sanders)
(1:45 AM) (documentary) Divine Madness (1980/94 m/Michael Ritchie)
(3:30 AM) (documentary) ABBA: The Movie (1977/97 m/Lasse Hallstrom)
(5:30 AM) (documentary) MGM Parade Show #4 (1955/26 m/?)
(6:00 AM) (crime) The Biggest Bundle Of Them All (1968/108 m/Ken Annakin)
(9:00 AM) (premiere) MGM CARTOONS: The Chump Champ (1950/7 m/Fred [Tex] Avery)
(9:09 AM) (documentary) Game Warden (1955/8 m/Harry W. Smith)
(9:18 AM) (short) Seattle: Gateway To The Northwest (1940/9 m/?)
(9:28 AM) (drama) Isle Of Fury (1936/60 m/Frank McDonald)
(9:30 AM) (serial) TERRY AND THE PIRATES: The Fatal Mistake (1940/17 m/?)
(10:00 AM) (premiere) POPEYE: Fleets of Stren'th (1942/7 m/Dave Fleischer)
(10:08 AM) (adventure) Elephant Stampede (1951/71 m/Ford Beebe)
(11:30 AM) (short) Frontier Days (1945/17 m/Jack Scholl)
(12:00 PM) (suspense) The Prize (1963/135 m/Mark Robson)
(2:30 PM) (western) Stagecoach (1939/96 m/John Ford)
(4:15 PM) (drama) East Of Eden (1955/118 m/Elia Kazan)
(6:30 PM) (comedy) Bananas (1971/82 m/Woody Allen)
(8:00 PM) (documentary) The Kids Are Alright (1979/109 m/Jeff Stein)
(10:00 PM) (premiere) Shine A Light (2008/122 m/Martin Scorsese)
Sunday, September 06, 2020
(12:15 AM) (documentary) The Decline of Western Civilization (1981/100 m/Penelope Spheeris)
(2:15 AM) (documentary) The Decline of Western Civilization, Part II: The Metal Years (1988/93 m/Penelope Spheeris)
(4:00 AM) (documentary) This Is Elvis (1981/102 m/Malcolm Leo)
(6:00 AM) (musical) On An Island With You (1948/108 m/Richard Thorpe)
(9:00 AM) (musical) Easy To Love (1953/96 m/Charles Walters)
(10:00 AM) (crime) Night Editor (1946/67 m/Henry Levin)
(12:00 PM) (romance) The Enchanted Cottage (1945/92 m/John Cromwell)
(1:45 PM) (drama) The V.I.P.s (1963/119 m/Anthony Asquith)
(4:00 PM) (romance) Crossing Delancey (1988/97 m/Joan Micklin Silver)
(6:00 PM) (romance) To Have and Have Not (1944/100 m/Howard Hawks)
(8:00 PM) (documentary) The Song Remains The Same (1976/138 m/Peter Clifton)
(10:30 PM) (documentary) Jimi Hendrix (1973/102 m/Joe Boyd)
Monday, September 07, 2020
(12:15 AM) (premiere) Jimi Plays Monterey (1986/49 m/D.A. Pennebaker)
(1:15 AM) (premiere) Shake!: Otis At Monterey (1987/19 m/D.A. Pennebaker)
(1:45 AM) (premiere) Fade To Black (2004/110 m/Patrick Paulson)
(5:30 AM) (premiere) Say Amen, Somebody: The Good News Musical (1982/101 m/George T. Nierenberg)
(7:15 AM) (premiere) A Poem Is A Naked Person (1977/90 m/Les Blank)
(9:00 AM) (premiere) Louie Bluie (1985/61 m/Terry Zwigoff)
(12:15 PM) (premiere) Big Time (1988/87 m/Chris Blum)
(2:00 PM) (documentary) Don’t Look Back (1967/96 m/D.A. Pennebaker)
(4:00 PM) (premiere) Neil Young: Heart Of Gold (2006/104 m/Jonathan Demme)
(6:00 PM) (premiere) Festival (1967/98 m/Murray Lerner)
(8:00 PM) (documentary) Monterey Pop (1969/79/D.A. Pennebaker)
(9:30 PM) (documentary) Woodstock: The Director’s Cut (1970/224 m/Michael Wadleigh)
Tuesday, September 08, 2020
(1:30 AM) (musical) A Hard Day’s Night (1964/87 m/Richard Lester)
(3:15 AM) (documentary) Go Go Mania (1965/70 m/Frederic Goode)
(4:45 AM) (documentary) Robert Osborne’s 20th Anniversary Tribute (2015/47 m/?)
(6:00 AM) (crime) Armored Car Robbery (1950/68 m/Richard Fleischer)
(7:30 AM) (crime) The Asphalt Jungle (1950/112 m/John Huston)
(9:30 AM) (crime) High Sierra (1941/100 m/Raoul Walsh)
(11:15 AM) (crime) Rififi (1954/118 m/Jules Dassin)
(1:30 PM) (crime) The League Of Gentlemen (1960/114 m/Basil Dearden)
(3:45 PM) (comedy) Ocean’s 11 (1960/127 m/Lewis Milestone)
(6:00 PM) (suspense) Jack of Diamonds (1967/108 m/Don Taylor)
(8:00 PM) (premiere) Women Make Film: A New Road Movie Through Cinema (episode 2) (2019/61 m/Mark Cousins)
(9:15 PM) (premiere) El Camino (1963/95 m/Ana Mariscal)
(11:15 PM) (documentary) Women Make Film: A New Road Movie Through Cinema (episode #2) (2019/61 m/Mark Cousins)
Wednesday, September 09, 2020
(12:30 AM) (premiere) Lovely & Amazing (2001/91 m/Nicole Holofcener)
(2:15 AM) (premiere) Wanda (1970/103 m/Barbara Loden)
(4:15 AM) (premiere) The Watermelon Woman (1995/85 m/Cheryl Dunye)
(6:00 AM) (premiere) In The Empty City (2004/90 m/Maria Jopo Ganga)
(7:45 AM) (silent) The Adventures of Prince Achmed (1926/66 m/Lotte Reiniger)
(9:15 AM) (premiere) Entre Nous (1983/111 m/Diane Kurys)
(11:30 AM) (drama) Jeopardy (1953/69 m/John Sturges)
(1:00 PM) (suspense) Cry Terror! (1958/96 m/Andrew L. Stone)
(3:15 PM) (drama) The Devil Makes Three (1952/90 m/Andrew Marton)
(5:00 PM) (suspense) Dial 1119 (1950/75 m/Gerald Mayer)
(6:30 PM) (suspense) Beyond A Reasonable Doubt (1956/80 m/Fritz Lang)
(8:00 PM) (comedy) Mr. Belvedere Goes To College (1949/83 m/Elliott Nugent)
(11:30 PM) (premiere) Blondie Goes To College (1942/77 m/Frank R. Strayer)
Thursday, September 10, 2020
(1:00 AM) (musical) She's Working Her Way Through College (1952/101 m/Bruce Humberstone)
(3:00 AM) Start Cheering (1938/78 m/Albert S. Rogell)
(4:30 AM) Strictly Dynamite (1934/71 m/Elliott Nugent)
(6:00 AM) (drama) Mademoiselle Fifi (1944/69 m/Robert Wise)
(7:15 AM) (suspense) The Curse of the Cat People (1944/70 m/Gunther V. Fritsch and Robert Wise)
(8:30 AM) (horror) The Body Snatcher (1945/78 m/Robert Wise)
(10:00 AM) (suspense) Mystery In Mexico (1948/66 m/Robert Wise)
(11:15 AM) (western) Blood On the Moon (1948/?/Robert Wise)
(1:00 PM) (crime) Born To Kill (1947/92 m/Robert Wise)
(2:45 PM) (drama) The Set-Up (1949/72 m/Robert Wise)
(4:15 PM) (romance) So Big (1953/102 m/Robert Wise)
(6:00 PM) (drama) Somebody Up There Likes Me (1956/113 m/Robert Wise)
(9:00 PM) (war) So Proudly We Hail (1943/126 m/Mark Sandrich)
(10:15 PM) (comedy) MAS*H (1970/116 m/Robert Altman)
Friday, September 11, 2020
(12:30 AM) (war) The Story of Dr. Wassell (1944/136 m/Cecil B. DeMille)
(3:00 AM) (war) Cry ‘Havoc’ (1944/97 m/Richard Thorpe)
(4:45 AM) (war) Battle Circus (1953/90 m/Richard Brooks)
(6:30 AM) (short) Angel Of Mercy (1939/10 m/Edward L. Cahn)
(6:45 AM) (drama) The White Angel (1936/92 m/William Dieterle)
(9:30 AM) (comedy) Bud Abbott and Lou Costello In Hollywood (1945/83 m/S. Sylvan Simon)
(10:00 AM) (comedy) Merton of the Movies (1947/82 m/Robert Alton)
(11:30 AM) (musical) Show Girl in Hollywood (1930/78 m/Mervyn Le Roy)
(1:00 PM) (comedy) Goldie Gets Along (1933/68 m/Malcolm St. Clair)
(2:15 PM) (musical) Talent Scout (1937/62 m/William Clemens)
(3:30 PM) (comedy) Pick A Star (1937/70 m/Edward Sedgwick)
(4:45 PM) (comedy) Boy Meets Girl (1938/86 m/Lloyd Bacon)
(6:15 PM) (comedy) Movie Crazy (1932/96 m/Clyde Bruckman)
(8:00 PM) (adventure) She (1965/106 m/Robert Day)
(10:00 PM) (adventure) Clash of the Titans (1981/118 m/Desmond Davis)
Saturday, September 12, 2020
(12:15 AM) (comedy) Casino Royale (1967/131 m/John Huston, et. al.)
(2:45 AM) (horror) Plan 9 From Outer Space (1959/78 m/Edward D. Wood, Jr.)
(4:15 AM) (drama) Reefer Madness (1936/66 m/Louis Gasnier)
(5:15 AM) (premiere) Sex Madness (1938/52 m/?
(6:15 AM) (comedy) A Slight Case Of Murder (1938/85 m/Lloyd Bacon)
(9:00 AM) (premiere) MGM CARTOONS: Droopy’s Double Trouble (1951/7 m/Fred [Tex] Avery)
(9:09 AM) (short) High Dive Kids (1956/8 m/?)
(9:18 AM) (short) Sitka and Juneau: A Tale of Two Cities (1940/9 m/?)
(9:28 AM) (drama) Daredevil Drivers (1938/60 m/B. Reeves Eason)
(9:30 AM) (serial) TERRY AND THE PIRATES: Pyre of Death (1940/17 m/?)
(10:00 AM) (premiere) POPEYE: Pip-Eye, Pup-Eye, Poop-Eye An' Peep-Eye (1942/6 m/Dave Fleischer)
(10:08 AM) (adventure) The Lion Hunters (1951/80 m/Ford Beebe)
(11:30 AM) (short) The Rear Gunner (1943/20 m/Ray Enright)
(12:00 PM) (crime) Double Indemnity (1944/108 m/Billy Wilder)
(2:00 PM) (drama) Birdman of Alcatraz (1962/149 m/John Frankenheimer)
(4:45 PM) (war) The Sand Pebbles (1966/179 m/Robert Wise)
(8:00 PM) (suspense) Out of the Past (1947/97 m/Jacques Tourneur)
(10:00 PM) (drama) Experiment Perilous (1944/91 m/Jacques Tourneur)
Sunday, September 13, 2020
(12:00 AM) (suspense) Danger Signal (1945/78 m/Robert Florey)
(1:30 AM) (drama) The China Syndrome (1979/122 m/James Bridges)
(3:45 AM) (horror) Coma (1978/113 m/Michael Crichton)
(6:00 AM) (comedy) See Here, Private Hargrove (1944/101 m/Wesley Ruggles)
(9:00 AM) (musical) Summer Stock (1950/109 m/Charles Walters)
(10:00 AM) (suspense) Danger Signal (1945/78 m/Robert Florey)
(11:30 AM) (comedy) The Whole Town’s Talking (1935/93 m/John Ford)
(1:15 PM) (drama) The Last Hurrah (1958/121 m/John Ford)
(3:30 PM) (drama) Sweet Bird Of Youth (1962/120 m/Richard Brooks)
(5:45 PM) (adventure) The Black Stallion (1979/117 m/Carroll Ballard)
(8:00 PM) (musical) Carmen Jones (1954/105 m/Otto Preminger)
(10:00 PM) (drama) Bright Road (1953/68 m/Gerald Mayer)
(11:30 PM) (musical) Sun Valley Serenade (1941/86 m/H. Bruce Humberstone)
Monday, September 14, 2020
(1:15 AM) (silent) The Ace of Hearts (1921/74 m/Wallace Worsley)
(6:00 AM) (musical) Playing Around (1930/66 m/Mervyn Le Roy)
(7:15 AM) (drama) Union Depot (1932/67 m/Alfred E. Green)
(9:30 AM) (drama) When In Rome (1952/78 m/Clarence Brown)
(10:00 AM) (drama) The Toast Of New York (1937/109 m/Rowland V. Lee)
(12:00 PM) (musical) Fashions of 1934 (1934/78 m/William Dieterle)
(1:30 PM) (suspense) Kind Lady (1935/76 m/George B. Seitz)
(3:00 PM) (romance) Sylvia Scarlett (1935/95 m/George Cukor)
(4:45 PM) (romance) Nobody Lives Forever (1946/100 m/Jean Negulesco)
(6:30 PM) (suspense) Cast a Dark Shadow (1955/83 m/Lewis Gilbert)
(8:00 PM) (short) Star Night At the Cocoanut Grove (1934/20 m/Louis Lewyn)
(8:00 PM) (short) A Night At The Movies (1937/10 m/Roy Rowland)
(8:00 PM) (comedy) The Pip From Pittsburg (1931/21 m/James Parrott)
(8:00 PM) (short) Movie Pests (1944/10 m/Will Jason)
(8:00 PM) (short) So You Want To Be A Detective (1948/11 m/Richard Bare)
(8:00 PM) (short) Los Angeles “Wonder City of the West” (1935/8 m/?)
(8:00 PM) (short) The Man In The Barn (1937/11 m/Jacques Tourneur)
(8:00 PM) (short) Smash Your Baggage (1932/9 m/Roy Mack)
(10:00 PM) (short) Asleep In The Feet (1933/19 m/Gus Meins)
(10:00 PM) (comedy) Top Flat (1935/19 m/William Terhune)
(10:00 PM) (short) The Bargain of the Century (1933/19 m/Charley Chase)
(11:15 PM) (short) You’re Telling Me (1932/19 m/Lloyd French)
(11:15 PM) (short) Call A Cop! (1931/20 m/George Stevens)
(11:15 PM) (short) Too Many Women (1932/19 m/Lloyd French)
(11:15 PM) (short) Air-Tight (1931/17 m/George Stevens)
Tuesday, September 15, 2020
(12:45 AM) (comedy) Buzzin’ Around (1933/20 m/Alfred J. Goulding)
(12:45 AM) (short) Whispering Whoopee (1930/21 m/James W. Horne)
(2:00 AM) (short) Women In Hiding (1940/22 m/Joseph Newman)
(2:00 AM) (short) Drunk Driving (1939/21 m/David Miller)
(2:00 AM) (short) The Public Pays (1936/18 m/Errol Taggart)
(3:15 AM) (short) His Silent Racket (1933/18 m/Charley Chase
(3:15 AM) (short) Girl Shock (1930/20 m/James W. Horne)
(3:15 AM) (short) Fallen Arches (1933/19 m/Gus Meins)
(3:15 AM) (short) The Chases of Pimple Street (1934/20 m/Charles Parrott)
(3:15 AM) (short) Four Parts (1934/18 m/Eddie Dunn)
(5:00 AM) (short) So You Want To Play The Piano (1956/10 m/Richard Bare)
(5:00 AM) (short) Apples To You! (1934/20 m/Leigh Jason)
(5:00 AM) (short) Zion: Canyon of Colour (1934/8 m/?)
(5:00 AM) (short) How To Sleep (1935/11 m/Nick Grindé)
(5:00 AM) (short) Double Talk (1937/11 m/Lloyd French)
(5:00 AM) (western) Pony Express Days (1940/20 m/B. Reeves Eason)
(5:00 AM) (comedy) Important Business (1944/11 m/Will Jason)
(5:00 AM) (short) The Black Network (1936/21 m/Roy Mack)
(5:00 AM) (short) And She Learned About Dames (1934/?/?)
(5:00 AM) (short) The Fabulous Fraud (1948/11 m/Edward L. Cahn)
(7:15 AM) (suspense) Man Hunt (1933/64 m/Irving Cummings)
(8:30 AM) (suspense) Nick Carter, Master Detective (1939/59 m/Jac ques Tourneur)
(9:45 AM) (suspense) Phantom Raiders (1940/70 m/Jacques Tourneur)
(11:00 AM) (suspense) Sky Murder (1940/72 m/George B. Seitz)
(12:15 PM) (suspense) Star Of Midnight (1935/90 m/Stephen Roberts)
(2:00 PM) (suspense) Miracles For Sale (1939/71 m/Tod Browning)
(3:15 PM) (suspense) Eyes In The Night (1942/80 m/Fred Zinnemann)
(4:45 PM) (suspense) The Hidden Eye (1945/69 m/Richard Whorf)
(6:00 PM) (suspense) Stage Fright (1950/110 m/Alfred Hitchcock)
(9:00 PM) (premiere) Women Make Film: A New Road Movie Through Cinema (episode 3) (2019/61 m/Mark Cousins)
(9:15 PM) (documentary) Harlan County, U.S.A. (1976/105 m/Barbara Kopple)
(11:15 PM) (documentary) Women Make Film: A New Road Movie Through Cinema (episode 3) (2019/61 m/Mark Cousins)
Wednesday, September 16, 2020
(12:30 AM) (drama) The Virgin Suicides (1999/97 m/Sofia Coppola)
(2:30 AM) (premiere) Loving Couples (1964/113 m/Mai Zetterling)
(6:30 AM) (premiere) 10 to 11 (2009/110 m/Pelin Esmer)
(9:30 AM) (comedy) Losing Ground (1982/86 m/Kathleen Collins)
(10:00 AM) (premiere) Strangers In Good Company (1990/101 m/Cynthia Scott)
(12:00 PM) (short) Wagon Wheels West (1943/17 m/B. Reeves Eason)
(12:30 PM) (western) Westward The Women (1951/116 m/William A. Wellman)
(2:45 PM) (western) Strange Lady In Town (1955/112 m/Mervyn Le Roy)
(4:45 PM) (western) Rachel and the Stranger (1948/93 m/Norman Foster)
(6:15 PM) (western) Cat Ballou (1965/96 m/Elliot Silverstein)
(8:00 PM) (musical) A Connecticut Yankee in King Arthur's Court (1949/107 m/Tay Garnett)
(10:00 PM) (premiere) Peggy Sue Got Married (1986/103 m/Francis Ford Coppola)
Thursday, September 17, 2020
(12:00 AM) (premiere) Repeat Performance (1947/93 m/Alfred Werker)
(1:45 AM) (drama) Turn Back the Clock (1933/79 m/Edgar Selwyn)
(3:15 AM) (adventure) The Boy and the Pirates (1960/84 m/Bert I. Gordon)
(5:00 AM) (romance) Berkeley Square (1933/88 m/Frank Lloyd)
(6:45 AM) (short) MGM Is On The Move! (1964/36 m/?)
(7:45 AM) (crime) Angel Face (1953/91 m/Otto Preminger)
(9:30 AM) (western) River of No Return (1954/91 m/Otto Preminger)
(11:15 AM) (suspense) Bunny Lake Is Missing (1965/107 m/Otto Preminger)
(1:15 PM) (drama) The Man with the Golden Arm (1956/119 m/Otto Preminger)
(3:30 PM) (drama) Anatomy Of A Murder (1959/161 m/Otto Preminger)
(6:15 PM) (suspense) Laura (1944/88 m/Otto Preminger)
(8:00 PM) (comedy) People Will Talk (1951/110 m/Joseph L. Mankiewicz)
(10:00 PM) (drama) Magnificent Obsession (1954/108 m/Douglas Sirk)
Friday, September 18, 2020
(12:00 AM) (drama) A Man to Remember (1938/78 m/Garson Kanin)
(1:30 AM) (drama) The Citadel (1938/113 m/King Vidor)
(3:30 AM) (drama) Red Beard (1965/185 m/Akira Kurosawa)
(6:45 AM) (drama) The Doctor and the Girl (1949/98 m/Curtis Bernhardt)
(9:30 AM) (romance) Dark Victory (1939/104 m/Edmund Goulding)
(10:30 AM) (romance) The Painted Veil (1934/84 m/Richard Boleslawski)
(12:00 PM) (romance) Conquest (1937/112 m/Clarence Brown)
(2:00 PM) (romance) Camille (1937/109 m/George Cukor)
(4:00 PM) (comedy) Ninotchka (1939/110 m/Ernst Lubitsch)
(6:00 PM) Grand Hotel (1932/113 m/Edmund Goulding)
(8:00 PM) (drama) The Rain People (1969/101 m/Francis Ford Coppola)
(10:00 PM) (drama) Harry and Tonto (1974/115 m/Paul Mazursky)
Saturday, September 19, 2020
(12:00 AM) (comedy) Lost In America (1985/91 m/Albert Brooks)
(2:00 AM) (premiere) Wild At Heart (1990/124 m/David Lynch)
(4:15 AM) (premiere) Twin Peaks: Fire Walk With Me (1992/135 m/David Lynch)
(6:30 AM) (suspense) Blackmail (1939/81 m/H.C. Potter)
(9:00 AM) (premiere) MGM CARTOONS: The Flea Circus (1954/7 m/Fred [Tex] Avery)
(9:09 AM) (short) Holland Sailing (1956/8 m/?)
(9:18 AM) (short) Alluring Alaska (1941/9 m/?)
(9:27 AM) (western) Guns Of Hate (1948/62 m/Lesley Selander)
(9:30 AM) (serial) TERRY AND THE PIRATES: The Secret of the Temple (1940/17 m/?)
(10:00 AM) (premiere) POPEYE: Olive Oyl and Water Don't Mix (1933/7 m/Dave Fleischer)
(10:08 AM) (adventure) African Treasure (1952/70 m/Ford Beebe)
(11:30 AM) (short) Roaring Guns (1944/19 m/Jean Negulesco)
(12:00 PM) (drama) Going Home (1971/97 m/Herbert B. Leonard)
(1:45 PM) (western) 3:10 To Yuma (1957/92 m/Delmer Daves)
(3:30 PM) (drama) Fail-Safe (1964/112 m/Sidney Lumet)
(5:30 PM) (war) Sergeant York (1941/134 m/Howard Hawks)
(8:00 PM) (musical) Guys and Dolls (1955/149 m/Joseph L. Mankiewicz)
(10:45 PM) (crime) Midnight Alibi (1934/58 m/Alan Crosland)
Sunday, September 20, 2020
(12:00 AM) (suspense) Gilda (1946/110 m/Charles Vidor)
(2:15 AM) (sci-fi) Rollerball (1975/125 m/Norman Jewison)
(4:30 AM) (sci-fi) Countdown (1968/101 m/Robert Altman)
(6:15 AM) (drama) All The King’s Men (1949/110 m/Robert Rossen)
(9:15 AM) (comedy) It Happened One Night (1934/105 m/Frank Capra)
(10:00 AM) (suspense) Gilda (1946/110 m/Charles Vidor)
(12:15 PM) (musical) Going My Way (1944/127 m/Leo McCarey)
(2:30 PM) (musical) Royal Wedding (1951/93 m/Stanley Donen)
(4:15 PM) (musical) Dangerous When Wet (1953/95 m/Charles Walters)
(6:00 PM) (comedy) Guess Who’s Coming To Dinner? (1967/108 m/Stanley Kramer)
(8:00 PM) (premiere) Tamango (1959/100 m/John Berry)
(10:00 PM) (adventure) Tarzan’s Peril (1951/79 m/Byron Haskin)
(11:30 PM) (drama) The Harlem Globetrotters (1951/77 m/Phil Brown)
Monday, September 21, 2020
(1:00 AM) (premiere) Where Now Are The Dreams Of Youth? (1932/86 m/Yasujiro Ozu)
(2:45 AM) (premiere) LONE WOLF AND CUB: Baby Cart in the Land of Demons (1973/90 m/Kenji Misumi)
(4:30 AM) (premiere) LONE WOLF AND CUB: White Heaven In Hell (1974/84 m/Yoshiyuki Kuroda)
(6:00 AM) (silent) Flesh and the Devil (1926/112 m/Clarence Brown)
(9:15 AM) (romance) To Have and Have Not (1944/100 m/Howard Hawks)
(10:15 AM) (crime) The Postman Always Rings Twice (1946/113 m/Tay Garnett)
(12:30 PM) (romance) Possessed (1931/76 m/Clarence Brown)
(2:00 PM) (comedy) Woman of the Year (1942/114 m/George Stevens)
(4:15 PM) (romance) Swing Shift (1984/100 m/Jonathan Demme)
(6:00 PM) (drama) Stromboli (1950/106 m/Roberto Rossellini)
(8:00 PM) (drama) A Cry In The Dark (1988/121 m/Fred Schepisi)
(10:15 PM) (romance) The French Lieutenant’s Woman (1981/124 m/Karel Reisz)
Tuesday, September 22, 2020
(2:30 AM) (drama) Kramer vs. Kramer (1979/105 m/Robert Benton)
(4:30 AM) (drama) Wednesday’s Child (1934/68 m/John Robertson)
(6:00 AM) (documentary) MGM Parade Show #4 (1955/26 m/?)
(6:30 AM) (epic) Around The World In 80 Days (1956/182 m/Michael Anderson)
(9:45 AM) (musical) Bitter Sweet (1940/93 m/W.S. Van Dyke II)
(11:30 AM) (war) In Which We Serve (1942/115 m/Noel Coward)
(1:30 PM) (comedy) Private Lives (1931/84 m/Sidney Franklin)
(3:00 PM) (romance) We Were Dancing (1942/95 m/Robert Z. Leonard)
(4:45 PM) (comedy) Blithe Spirit (1945/96 m/David Lean)
(6:30 PM) (romance) Brief Encounter (1945/87 m/David Lean)
(9:00 PM) (premiere) Women Make Film: A New Road Movie Through Cinema (episode 4) (2019/61 m/Mark Cousins)
(9:15 PM) (premiere) The Cave of the Yellow Dog (2005/89 m/Byambasuren Davaa)
(11:00 PM) (documentary) Women Make Film: A New Road Movie Through Cinema (episode 4) (2019/61 m/Mark Cousins)
Wednesday, September 23, 2020
(12:15 AM) (crime) Salaam Bombay! (1988/114 m/Mira Nair)
(2:30 AM) (drama) Daughters of the Dust (1991/112 m/Julie Dash)
(4:30 AM) (premiere) Krane’s Confectionary (1951/103 m/Astrid Henning-Jensen)
(6:30 AM) (premiere) Mikey and Nicky (1976/107 m/Elaine May)
(9:45 AM) (premiere) The Juniper Tree (1990/79 m/Nietzchka Keene)
(10:15 AM) (premiere) Women Who Loved Cinema (Part 1 & 2) (2002/114 m/Marianne Khoury)
(12:15 PM) (comedy) Life Begins For Andy Hardy (1941/101 m/George B. Seitz)
2:00 PM) (musical) Girl Crazy (1943/Norman Taurog)
(4:00 PM) (adventure) The Adventures of Huckleberry Finn (1939/91 m/Richard Thorpe)
(6:00 PM) (comedy) Ah, Wilderness! (1935/98 m/Clarence Brown)\
(8:00 PM) (drama) Boys Town (1938/93 m/Norman Taurog)
(9:45 PM) (drama) The Human Comedy (1943/117 m/Clarence Brown)
Thursday, September 24, 2020
(12:00 AM) (adventure) The Black Stallion (1979/117 m/Carroll Ballard)
(2:15 AM) (musical) Strike Up The Band (1940/120 m/Busby Berkeley)
(4:30 AM) (crime) Killer McCoy (1947/104 m/Roy Rowland)
(6:15 AM) (romance) Wuthering Heights (1939/104 m/William Wyler)
(9:15 AM) (romance) Kitty Foyle (1940/108 m/Sam Wood)
(10:15 AM) (drama) Cass Timberlane (1947/119 m/George Sidney)
(12:15 PM) (drama) The Bad and the Beautiful (1952/118 m/Vincente Minnelli)
(2:30 PM) (drama) Magnificent Obsession (1954/108 m/Douglas Sirk)
(4:30 PM) (drama) All That Heaven Allows (1955/89 m/Douglas Sirk)
(6:15 PM) Written On The Wind (1957/99 m/Douglas Sirk)
(8:00 PM) (drama) Young Dr. Kildare (1938/82 m/Harold S. Bucquet)
(9:30 PM) (drama) The Young Doctors (1961/103 m/Phil Karlson)
(11:30 PM) (comedy) The Hospital (1971/102 m/Arthur Hiller)
Friday, September 25, 2020
(1:30 AM) (drama) No Way Out (1950/107 m/Joseph L. Mankiewicz)
(3:30 AM) (drama) The Girl In White (1952/93 m/John Sturges)
(5:04 AM) (short) Her Honor, The Nurse (1956/8 m/Harry W. Smith)
(5:30 AM) (drama) Emergency Hospital (1956/63 m/Lee Sholem)
(6:45 AM) (horror) War of the Planets (1965/97 m/Antonio Margheriti)
(9:30 AM) (horror) The Cosmic Monster (1958/72 m/Gilbert Gunn)
(10:00 AM) (horror) Satellite In The Sky (1956/84 m/Paul Dickson)
(11:30 AM) (horror) The Green Slime (1969/90 m/Kinji Fukasaku)
(1:15 PM) (horror) Queen of Outer Space (1958/80 m/Edward Bernds)
(2:45 PM) (horror) The Wild, Wild Planet (1965/94 m/Anthony Dawson)
(4:30 PM) (horror) Village of the Damned (1960/77 m/Wolf Rilla)
(6:00 PM) (horror) Children of the Damned (1964/90 m/Anton M. Leader)
(9:00 PM) (western) The Outlaw Josey Wales (1976/136 m/Clint Eastwood)
(10:30 PM) (western) Alvarez Kelly (1966/110 m/Edward Dmytryk)
Saturday, September 26, 2020
(12:45 AM) (western) Springfield Rifle (1952/93 m/Andre de Toth)
(6:00 AM) (comedy) Larceny, Inc. (1942/95 m/Lloyd Bacon)
(9:00 AM) (premiere) MGM CARTOONS: The First Bad Man (1955/7 m/Fred [Tex] Avery)
(9:09 AM) (short) Salar, The Leaper (1957/8 m/Douglas Sinclair)
(9:18 AM) (documentary) Land of Alaska Nellie (1940/9 m/?)
(9:28 AM) (western) Gun Law (1938/60 m/David Howard)
(9:30 AM) (serial) WILD WEST DAYS: Death Rides The Range (1937/?/?)
(10:00 AM) (premiere) POPEYE: Many Tanks (1933/7 m/Dave Fleischer)
(10:09 AM) (adventure) Bomba and the Jungle Girls (1952/70 m/Ford Beebe)
(11:30 AM) (short) Heavenly Music (1943/22 m/Josef Berne)
(12:00 PM) (drama) The Long Voyage Home (1940/106 m/John Ford)
(2:00 PM) (epic) Quo Vadis (1951/174 m/Mervyn LeRoy)
(5:15 PM) (war) Where Eagles Dare (1968/155 m/Brian G. Hutton)
(8:00 PM) (romance) The Red Shoes (1948/134 m/Michael Powell)
(10:30 PM) (war) Night Ambush (1958/105 m/Michael Powell)
Sunday, September 27, 2020
(12:15 AM) (drama) They Won’t Believe Me (1947/90 m/Irving Pichel)
(2:00 AM) (horror) Creature from the Black Lagoon (1954/79 m/Jack Arnold)
(3:30 AM) (horror) UFO (1956/88 m/Winston Jones)
(5:15 AM) (documentary) MGM Parade Show #4 (1955/26 m/?)
(6:00 AM) (romance) Mata Hari (1931/89 m/George Fitzmaurice)
(7:45 AM) (comedy) The Talk Of The Town (1942/117 m/George Stevens)
(10:00 AM) (drama) They Won't Believe Me (1947/90 m/Irving Pichel)
(11:45 AM) (comedy) Don't Make Waves (1967/97 m/Alexander Mackendrick)
(1:30 PM) (drama) Honeysuckle Rose (1980/119 m/Jerry Schatzberg)
(3:45 PM) (romance) Now, Voyager (1942/117 m/Irving Rapper)
(6:00 PM) (drama) Executive Suite (1954/104 m/Robert Wise)
(10:15 PM) (drama) The Decks Ran Red (1958/84 m/Andrew L. Stone)
(12:00 AM) (comedy) Our Modern Maidens (1929/75 m/Jack Conway)
(2:00 AM) (musical) Black Orpheus (1959/108 m/Marcel Camus)
(4:00 AM) (romance) Orpheus (1950/96 m/Jean Cocteau)
Monday, September 28, 2020
(6:00 AM) (comedy) Not So Dumb (1930/76 m/King Vidor)
(7:30 AM) (drama) Street Scene (1931/79 m/King Vidor)
(9:00 AM) (adventure) Bird of Paradise (1932/82 m/King Vidor)
(10:30 AM) (drama) Our Daily Bread (1934/74 m/King Vidor)
(11:45 AM) (western) Northwest Passage (1940/127 m/King Vidor)
(2:00 PM) (drama) H.M. Pulham, Esq. (1941/120 m/King Vidor)
(4:15 PM) (drama) The Fountainhead (1949/113 m/King Vidor)
(6:15 PM) (crime) Lightning Strikes Twice (1951/90 m/King Vidor)
(9:00 PM) (comedy) You Can't Take It With You (1938/126 m/Frank Capra)
(10:30 PM) (drama) Ship of Fools (1965/149 m/Stanley Kramer)
(1:15 AM) (premiere) Titicut Follies (1967/84 m/Frederick Wiseman)
(3:00 AM) (drama) The Sign of the Ram (1948/84 m/John Sturges)
(5:00 AM) (documentary) Private Screenings: Liza Minnelli (2010/45 m/Sean Cameron)
Tuesday, September 29, 2020
(6:00 AM) (drama) Blossoms in the Dust (1941/99 m/Mervyn LeRoy)
(9:00 AM) (romance) Mrs. Parkington (1944/124 m/Tay Garnett)
(10:30 AM) (drama) Madame Curie (1943/124 m/Mervyn Le Roy)
(1:00 PM) (romance) The Valley of Decision (1945/118 m/Tay Garnett)
(3:15 PM) (romance) Pride and Prejudice (1940/118 m/Robert Z. Leonard)
(5:30 PM) (war) Mrs. Miniver (1942/134 m/William Wyler)
(8:00 PM) (premiere) Women Make Film: A New Road Movie Through Cinema (episode 5) (2019/61 m/Mark Cousins)
(9:15 PM) (drama) Middle of Nowhere (2012/101 m/Ava Duvernay)
(11:15 PM) (documentary) Women Make Film: A New Road Movie Through Cinema (episode 5) (2019/61 m/Mark Cousins)
Wednesday, September 30, 2020
(12:30 AM) (drama) Beau Travail (1999/89 m/Claire Denis)
(6:00 AM) (premiere) Wasp (2003/26 m/Andrea Arnold)
(10:00 AM) (drama) Antonia's Line (1995/103 m/Marleen Gorris)
(12:00 PM) (premiere) The Green-Eyed Blonde (1957/72 m/Bernard Girard)
(1:15 PM) (crime) Ring of Fire (1961/91/Andrew L. Stone)
(2:45 PM) (drama) Untamed Youth (1957/80 m/Howard W. Koch)
(4:15 PM) (musical) Jailhouse Rock (1957/97 m/Richard Thorpe)
(6:00 PM) (drama) Rebel Without A Cause (1955/111 m/Nicholas Ray)
(8:00 PM) (drama) Stand and Deliver (1988/103 m/Ramon Menendez)
(10:00 PM) (drama) The Blackboard Jungle (1955/101 m/Richard Brooks)
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Casino Nicky's Death - Subtitles Full Scene - YouTube CASINO Blueberry Muffin Scene - YouTube CASINO(1995) HOW TO DEAL WITH ASSHOLES. - YouTube Casino (1995) - Ending - YouTube Casino - YouTube Casino (1995) Scene: Back Home Years Ago - YouTube

Andy Anderson ist am Dienstag gestorben. Der Schlagzeuger, der unter anderem für die Kultband The Cure spielte, erlag seinem Krebsleiden. The Dorfman character’s name is changed to Andy Stone for the movie Casino and his murder is recreated for the film. January 31, 1986 – Gambler and real estate agent Bobby Ellis is found shot to death in his living room. He was last seen leaving The Palace Station casino two days earlier. February 20, 1986 – Mob associate and high-roller William (Willie the Watch) Rooney vanishes on a ... Andy Stone (6 January 1923-20 January 1983) was an insurance agency owner and a consultant to the International Brotherhood of Teamsters (IBT) Central States Pension Fund. He was close associate of IBT president Jimmy Hoffa and was associated with the Chicago Outfit, and he was murdered in 1983.. Biography. Andy Stone was born in Detroit, Michigan, United States on 6 January 1923 to a family ... The Chicago Outfit and its boss, Remo Gaggi (Pasquale Cajano), order Andy Stone (Alan King), the head of the Teamsters' Pension Fund, to give real estate hustler Philip Green (Kevin Pollak) more than $60,000,000 to fund the Tangiers Casino. While in the public eye, Green is the president, he however, also takes orders from Stone. Each month, the Outfit sends John Nance (Bill Allison) over to ... Andy Stone Kevin Pollak. Phillip Green L.Q. Jones. Pat Webb Dick Smothers. Senator Frank Vincent. Frank Marino John Bloom. Don Ward Pasquale Cajano. Remo Gaggi Melissa Prophet . Jennifer Santoro Bill Allison. John Nance Vinny Vella. Artie Piscano Philip Suriano. Dominick Santoro (as Phillip Suriano) Erika von Tagen. Amy Rothstein (Older) Frankie Avalon. Frankie Avalon Steve Allen. Steve Allen ... Andy stone casino - Only the best playing solutions that make your gambling more profitable. Make your wallet grow fat by making some easy cash with this online casino. Play here for a safe play and real quick money. Andy Stone : Why would they want to find out? We're putting a hundred million into this desert here. Why would they want to lock us out? And besides, they'll never find out. All you got to do is keep changing your job title. Like, uh, from Casino Executive to Food and Beverage Chairman. And what happens is they take your application and they put it at the bottom of the pile. I know guys ... I didn't do anything. I didn't order you or anybody. I just told Andy Stone that you had alot of heat on you. That's a problem? Nicky Santoro: You want me to get out of my own f***in' town? Ace Rothstein: Yeah. I just want the bullshit to blow over for a while so I can run the casino. If anything goes wrong with the casino, it's my ass. It's not yours, it's my ass. Nicky Santoro: Listen. I don ... - Andy Stone: You don't have to have a license to work in a casino. All you gotta do is apply for one. The state law says you can work in a... (continue) (continue reading) Robert De Niro - Sam "Ace" Rothstein Turning Stone Resort Casino - so much more excitement, so much more entertainment, so much more comfort, so much more you. Join us at New York’s most awarded four-season resort destination. You’ll experience world-class gaming, dining, hotel stays, recreation and so much more. You will not only be surprised by all you can see, do and experience here, but also by all we do for you. Whether ...

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Casino Nicky's Death - Subtitles Full Scene - YouTube

"Casino" is a 1995 American epic crime drama film directed by "Martin Scorsese" and starring "Robert De Niro, Joe Pesci & Sharon Stone".Casino was released o... Casino: Back Home Years Ago Leakage my balls please subscribe... im tired of all these low quality casino movie clips soo i made really good quality ones of some the best scenes on casino please go to m... In this scene, the head of the Casino, played by Robert De Niro, gets distracted during a business meeting with one of his associates by noticing that their ... Martin Scorsese's penultimate collaboration with Robert De Niro Copyright 1995 Universal PicturesI don't own this video. Nicky and Dominic get beaten in the cornfield, after they framed their bosses. "Casino" is a 1995 American epic crime drama film directed by "Martin Scorsese" and starring "Robert De Niro, Joe Pesci & Sharon Stone".Casino was released o...

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